Godley & Creme Consequences

A 5CD box set edition of Consequences, the remarkable triple vinyl debut release from ex 10cc members Godley & Creme.

Consequences is the debut album by English pop artists Godley & Creme. It was released in 1977 as a boxed triple-LP. Created as a concept album, it incorporates a play, with all characters voiced by comedian Peter Cook, and singing by Sarah Vaughan, who was brought into the project by Phonogram after trying to secure Ella Fitzgerald…

L is the second album by Godley & Creme. It was released in 1978. Its 34-minute running time was a stark contrast with that of the ill-received triple concept album Consequences (1977). The album wasn't entirely well received, however…

Excellent addition to any rock music collection.
This was the first album released by the band after the departure of Kevin Godley and Lol Creme. Many wondered at the time if the remaining half, Gouldman/Stewart, could pull off a decent album or would it be a let down.

Former Deep Purple bassist Roger Glover's first true solo album is an ambitious concept built around the properties and powers of the four elements – earth, wind, water, and fire – with the four principle tracks dedicated to each one in turn. Recorded with the Munich Philharmonic, plus an impressive arsenal of keyboards, percussion, and wind, the sound of the album is vast, yet never so prepossessing as to leave the listener feeling at all alienated by another ham-fisted attempt to meld rock with the classics…

Elements: Former Deep Purple bassist Roger Glover's first true solo album is an ambitious concept built around the properties and powers of the four elements – earth, wind, water, and fire – with the four principle tracks dedicated to each one in turn. Recorded with the Munich Philharmonic, plus an impressive arsenal of keyboards, percussion, and wind, the sound of the album is vast, yet never so prepossessing as to leave the listener feeling at all alienated by another ham-fisted attempt to meld rock with the classics. The Mask: Unlike the orchestral reach of his previous solo works, for The Mask Roger Glover updated his sound to slick guitar and synth rock that lands somewhere between The Fixx and Simple Minds. Having a Deep Purple member attempt eighties pop sounds like a recipe for disaster, but Glover pulls it off.