Gold Pre 2012

Liquid Mind, aka Chuck Wild, is a Los Angeles-based musician specialising with slow, ethereal and atmospheric ambient music. Liquid Mind's music is calm, tranquil, serene. It is a beatless electronic ambient with a pinch of space music attached to it.
Unity (2000). The fourth in Liquid Mind's elegant electronic series of slow relaxation music albums takes many listeners to a place of deep calm and tranquility. This peaceful album may be used by parents to help quiet hyperactive children, to assist themselves in going back to sleep in the middle of a difficult night, to aid in general relaxation, or to relieve the stress of a busy day at a computer terminal…

Liquid Mind, aka Chuck Wild, is a Los Angeles-based musician specialising with slow, ethereal and atmospheric ambient music. Liquid Mind's music is calm, tranquil, serene. It is a beatless electronic ambient with a pinch of space music attached to it.
Unity (2000). The fourth in Liquid Mind's elegant electronic series of slow relaxation music albums takes many listeners to a place of deep calm and tranquility. This peaceful album may be used by parents to help quiet hyperactive children, to assist themselves in going back to sleep in the middle of a difficult night, to aid in general relaxation, or to relieve the stress of a busy day at a computer terminal…

The European Jazz Trio, comprising Marc van Roon on Piano, Frans van der Hoeven on bass and Roy Dackus on drums has been recording and performing since 1995, when it released a CD of Beatles' songs in fresh arrangements.
On each album, the trio has taken songs in every style, shape and color, and has given them a jazz interpretation. For the trio 'Jazz' means to have the freedom to combine and mix styles, melodies, sounds and rhythms to create something fresh and surprising.
The European Jazz Trio pushes the envelope of jazz music by adding to it its own sound and rhythm, a result of the music that has influenced the trio's members.

Phil Collins - Face Value (1981). Phil Collins' first solo album, 1981's Face Value, was a long time coming, but it proved worth the wait, both for the Genesis drummer/vocalist himself and fans of thoughtful, emotionally charged pop. He'd been wrestling with the idea of doing a solo record for years, finding great inspiration in the pain caused by an impending divorce and craving artistic independence after years of collaboration. Many of the songs ended up on Genesis' 1980 album Duke - and "Against All Odds" was pocketed for later use - but he kept enough to make an album that stands as a classic moment of '80s pop/rock. Collins produced the album himself and played keyboards and drums, calling in friends and the Earth, Wind & Fire horns to fill out the songs…