Gone To Stay

Margo Price returns and she can do no wrong in Rough Trade shops eyes. “Everybody wants to know / how I feel and what I think,” Margo Price sings in her emotive, bittersweet twang, halfway through her third full-length record. On That’s How Rumors Get Started, Price has committed her genre-bending rock-and-roll show to record for the first time, stretching out into sky-high soft-rock, burning psychedelic rock ballads, stomping road songs, and sprinkles of pop.

‘As intriguing as it is beguiling’ was how the ‘east-meets-west soundworld’ of Xiaogang Ye was described in the BBC Music Magazine on the release of a previous disc of his orchestral works in 2016. On that occasion Ye’s music was championed by José Serebrier, who returns here, sharing the task with Gilbert Varga. Between them they conduct the Royal Scottish National Orchestra and four international soloists in five works which highlight the beginning of Ye’s career as well as his more recent works. The Brilliance of Western Liang was written in 1983, during Ye’s time as a student at the Central Conservatory of Music in Beijing, and is named after a fifth-century kingdom in northwest China.

Firewind / Ozzy Osbourne guitarist GUS G. returns with a fantastic second solo album! Fans of Slash, Halestorm & Avenged Sevenfold will love this! Features vocals by Jacob Bunton (Adler, Lynam), Mats Leven (Candlemass, ex Yngwie Malmsteen), Jeff Scott Soto (Trans-Siberian Orchesta, ex Journey) and Elize Ryd (Amaranthe), as well as Marty O Brien (Lita Ford) on bass and Jo Nunez (Firewind) on drums Recorded by Jay Ruston (Stone Sour, Anthrax, Steel Panther) and mixed by Mike Fraser (Aerosmith, Metallica, AC/DC).

These 20 CDs comprise over 25 hours of music captured on-stage in the 1940s, ‘50s, and ‘60s at KWKH’s legendary Louisiana Hayride radio show. Staged live in Shreveport, the Hayride featured national country music stars, soon-to-be legends, regional break-outs, and talented newcomers. Most of this music has not been heard since the day it was broadcasted.

Bill Evans - The Complete Bill Evans On Verve (1997) [Verve]
EACRip | MP3 @320 -> Total Size: 2.91 GB ; CD1: 163 MB ; CD2: 174 MB ; CD3: 157 MB ; CD4: 177 MB
CD5: 180 MB ; CD6: 183 MB ; CD7: 166 MB ; CD8: 174 MB ; CD9: 121 MB
CD10: 160 MB ; CD11: 180 MB ; CD12: 166 MB ; CD13: 175 MB ; CD14: 166 MB
CD15: 171 MB ; CD16: 182 MB ; CD17: 181 MB ; CD18: 103 MB | Full HQ Artwork Scans -> 148 MB
© 1997 Polygram | 527953
Jazz / Cool Jazz / Post-Bop

While its sheer bulk negates its interest to a general audience, The Complete Bill Evans on Verve is an essential library piece for any serious jazz fan or historian. Spanning 18 CDs, 269 tracks and 21 hours, the box set includes all of Evans' recordings for the label between 1962 and 1969, including 19 albums, two previously unreleased albums and 98 previously unreleased tracks. During these years, the pianist made some of his greatest music, including his legendary Village Vanguard sessions, and the set charts all of his changes, as he plays with his trio and as a solo artist, as well as a rare session with a rhythm quartet and strings. While the set itself could be a little more user-friendly – it's encased in a steel box, with a 160-page booklet and an 18-disc fanpack on separate shelves – the music itself is nearly flawless and nearly essential for most serious jazz fans.

Bill Evans - The Complete Bill Evans On Verve (1997) [Verve]
EACRip | FLAC (tracks)+No CUE+No LOG (only in folders)-> Total Size: 6.79 GB ; CD1: 373 MB ; CD2: 373 MB ; CD3: 388 MB ; CD4: 409 MB
CD5: 415 MB ; CD6: 459 MB ; CD7: 383 MB ; CD8: 416 MB ; CD9: 269 MB
CD10: 342 MB ; CD11: 407 MB ; CD12: 393 MB ; CD13: 423 MB ; CD14: 391 MB
CD15: 367 MB ; CD16: 430 MB ; CD17: 372 MB ; CD18: 186 MB | Full HQ Artwork Scans -> 148 MB
© 1997 Polygram | 527953
Jazz / Cool Jazz / Post-Bop

While its sheer bulk negates its interest to a general audience, The Complete Bill Evans on Verve is an essential library piece for any serious jazz fan or historian. Spanning 18 CDs, 269 tracks and 21 hours, the box set includes all of Evans' recordings for the label between 1962 and 1969, including 19 albums, two previously unreleased albums and 98 previously unreleased tracks. During these years, the pianist made some of his greatest music, including his legendary Village Vanguard sessions, and the set charts all of his changes, as he plays with his trio and as a solo artist, as well as a rare session with a rhythm quartet and strings. While the set itself could be a little more user-friendly – it's encased in a steel box, with a 160-page booklet and an 18-disc fanpack on separate shelves – the music itself is nearly flawless and nearly essential for most serious jazz fans.

Billie Holiday - The Complete Billie Holiday On Verve 1945-1959 (1992) {10CD Set Verve–PolyGram 517 658-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.63 Gb | MP3 @320 -> 1.66 Gb
Full Artwork @ 300 dpi (jpg) -> 288 Mb | 5% repair rar
© 1945-59, 1992 Verve / PolyGram | 517 658-2
Jazz / Vocal Jazz / Swing / Classic Female Blues / Traditional Pop

This is a rather incredible collection: ten CDs enclosed in a tight black box that includes every one of the recordings Verve owns of Billie Holiday, not only the many studio recordings of 1952-57 (which feature Lady Day joined by such jazz all-stars as trumpeters Charlie Shavers and Harry "Sweets" Edison, altoist Benny Carter, and the tenors of Flip Phillips, Paul Quinichette and Ben Webster). Also included are prime performances at Jazz at the Philharmonic concerts in 1945-1947, an enjoyable European gig from 1954, her "comeback" Carnegie Hall concert of 1956, Holiday's rather sad final studio album from 1959, and even lengthy tapes from two informal rehearsals. It's a perfect purchase for the true Billie Holiday fanatic.

Dinah Washington (born Ruth Lee Jones; August 29, 1924 – December 14, 1963) was an American singer and pianist, who has been cited as "the most popular black female recording artist of the '50s". Primarily a jazz vocalist, she performed and recorded in a wide variety of styles including blues, R&B, and traditional pop music, and gave herself the title of "Queen of the Blues". She was a 1986 inductee of the Alabama Jazz Hall of Fame, and was inducted into the Rock and Roll Hall of Fame in 1993.