Goodbye, Paris

John Coltrane - Live Trane - The European Tours (2001) {7CD Pablo-Victor Japan VICJ-60831~7 20bit K2 Mastering rec 1961-1963}
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© 1961-63, 2001 Pablo Records / Fantasy / Victor Japan | VICJ-60831~7 | 20bit K2 Mastering
Jazz / Hard Bop / Modal Music / Saxophone

The seven-CD set Live Trane expands upon Pablo's earlier CDs of John Coltrane recorded during his European tours between 1961 and 1963, including all of The Paris Concert, Bye Bye Blackbird, The European Tour, and Afro Blue Impressions, and supplementing them with extra songs from most of these concerts. Of the 37 tracks, 19 have not previously appeared commercially (except on a number of European bootleg labels with sound ranging from barely acceptable to horrendous), and a 1961 Hamburg concert with Eric Dolphy makes its debut here. A number of titles are repeated throughout the set – six takes of "My Favorite Things" and five versions of both "Impressions" and "Mr. P.C.," along with four takes of "Naima" – but true Coltrane fans will marvel at the differences between them from one concert to the next.

Erik Truffaz is a Swiss-born French contemporary jazz trumpeter, infusing elements of hip hop, rock and roll and dance music into his compositions. He signed with the French EMI label in 1996. Truffaz gained international attention with his second album on Blue Note, The Dawn, produced together with Pat Muller, Marcello Giuliani and Mark Erbetta.

Pere Ubu unveil their new album, THE LONG GOODBYE, nearly two years after their previous record for Cherry Red, 20 Years In A Montana Missile Silo.

Largely overlooked during his formative years, Art Farmer's consistently inventive playing was more greatly appreciated as he continued to develop. Along with Clark Terry, Farmer helped to popularize the flügelhorn among brass players. His lyricism gave his bop-oriented style its own personality. Farmer studied piano, violin, and tuba before settling on trumpet.

The highlights of a 2½-hour concert recorded in Paris, this CD has even more ballads than a typical Shirley Horn set because, due to the monitor malfunctioning during the second half of the performance, Horn chose to stick exclusively to ballads during that portion of the show. Accompanied by bassist Charles Ables and drummer Steve Williams, Horn is in peak form throughout this program, often sounding exquisite and using silence and pauses quite expertly. Among the highlights are "Wouldn't It Be Loverly," "Do It Again," a medley of "I Loves You Porgy" and "Here Comes De Honey Man," and a lengthy version of "A Song for You" that eventually becomes "Goodbye."

Hungarian guitarist Elek Bacisk is a cousin of Django Reinhardt, and has continued his tradition of blending swing and gypsy elements into a coherent, expressive jazz mode. Bacisk initially studied classical violin and played gypsy songs in Budapest, then switched to jazz guitar. As a teen, he recorded in a band with alto saxophonist Geza Szabo and trumpeter Jozsef Quitter, then later toured Europe with Mihaly Tabanyi's band. Bacisk moved to Paris in 1959, and through the early and mid-'60s recorded and played with visiting American musicians, among them Art Simmons, Quentin Jackson, Lou Bennett and Dizzy Gillespie. He also did sessions heading his own bands. Bacsik came to America in 1966, and worked from 1967-1974 with Teresa Brewer before cutting his own sessions. He appeared at the 1974 Newport Jazz Festival and 1984 Olympic Games Jazz Festival in Los Angeles.