"That'll Flat… Git It!" is one of the best compilations of the 1950's rockabilly. Each volume contains nearly 30 songs, mostly rockabilly classics and unknown great artists. In spite the tracks were remastered, you can hear some noise, especially in the end of the tracks. This is because many songs were taken from original vinyl singles.
The last twenty-five years have yielded significant insights into the life, times and most importantly the music of the Habsburg-Burgundian master Pierre de la Rue. All the sacred works are now available in scholarly editions, and many fine recordings of his music have been committed to compact disc. La Rue has also attracted a good deal of scholarly attention, even controversy, and his place as a major figure at the time of Josquin is now surely secure. There is still much work to be done, however, and not only with the secular music that has yet to be compiled and edited in its entirety. Even the Masses, the core of la Rue’s output, are only superficially known. Of the thirty Mass settings that are securely attributed to la Rue, nearly a third have never been recorded, and recordings of half of the remaining Masses are either no longer available or problematic for other reasons.
"Stages" is a cover album by English recording artist Melanie C. The record is Chisholm's sixth studio album, and the fourth to be made under her own independent record label Red Girl Records. The album features a collection of song covers from various musical theatre shows and films, which consequently makes it Chisholm's first studio album where she holds no writing credits whatsoever to any of the tracks. The iTunes digital release of the album features a bonus track; a cover of Cole Porter's "Anything Goes".
Compilation CD's. Those Classic Golden Years - An Essential collection the second half of the sixties and the early seventies…