GRACE JONES Disco (2015 UK limited edition 3-CD set featuring digitally remastered editions of her Portfolio [1977] Fame [1978] and Muse [1979] albums including unreleased tracks and rare mixes. All three discs are individually packaged andhoused together inside a deluxe sealed picture boxset with lift-off lid which comes with an extensive booklet)…
An audio biography of Grace Jones, produced by Trevor Horn, it's a sonic treat along the lines of Yes's 90125 or Frankie Goes to Hollywood's first album (both produced by Horn). The music ranges from slick R&B runaway grooves to striking audio montages, interrupted occasionally by conversation about Jones's life. Serious ear candy…
Grace Jones Disco 2015 limited edition 3CD set featuring digitally remastered editions of her Portfolio (1977), Fame (1978) and Muse (1979) albums including unreleased tracks and rare mixes. All three discs are individually packaged andhoused together inside a deluxe sealed picture boxset with lift-off lid which comes with an extensive booklet.
Portfolio (1977). Disco mix king Tom Moulton produced these tracks at Sigma Sound in Philadelphia using the same musicians Kenny Gamble and Leon Huff held hostage for their sessions. The results are quite different: though polished, these tracks don't jump out at you. It's really a producer's album. Moulton probably had these tracks completed long before he knew who was going to sing them. Give Grace Jones credit though, she gives credence to old fuddies like "Send in the Clowns," "La Vie en Rose" is lilting, and "I Need a Man," displays a vulnerable Jones…
Any Grace Jones fan can quickly see that her Millennium Collection was slapped together with little care for telling her story. Sad really, since no compilation has ever captured the whole career of the underrated artist well. Basically, it's a one-disc version of Private Life: The Compass Point Sessions with "La Vie en Rose" tacked on as the only representation of her early disco years. The Compass Point years were great, with Sly & Robbie providing the groovy reggae backbeat and Jones supplying the European iciness. The cosmopolitan and paranoid versions of Roxy Music's "Love Is the Drug," the Normal's "Warm Leatherette," and the Pretenders' "Private Life" are all excellent.
After three albums of more or less mediocre but entertaining Philly-disco stuff, Grace entered the 80s with a total transition. Produced by Chris Blackwell & Alex Sadkin and featuring a band comprising funk legends Sly & Robbie, Grace's Warm Leatherette with its unique blend of reggae, rock and funk combined with Grace's die-hard vocal deliverance was a powerhouse of an album, still sounding sparkling fresh today.
Portfolio is the debut album by Grace Jones, released in 1977 by Island Records. It spawned her first big hit, "La Vie en rose". Having enjoyed a successful modelling career in Paris and New York in the early 1970s, Grace Jones released a series of singles throughout 1975-1976. None of them, however, managed to succeed in mainstream charts. Jones secured a record deal with Island Records in 1977 and found wider recognition only with her debut Island LP, Portfolio.