Grant Green Remembering (japan Blue Note Gxk 8167) LP Rip in 24 Bit 96 Khz + Redbook

This is an obscure 1955/56 session with Carole Creveling backed by a quartet of Bill Baker on piano, Jimmy Wyble on guitar, Bob Norris on Drums and Jack Coughlan on bass. Creveling's vocals are great; somewhat haunting on the ballads, swinging on the up tempo songs…

Queen guitarist Brian May's first complete attempt at a solo album, Back to the Light, focuses on the hard rock sound that Queen often abandoned in the 1980s. While obviously sounding similar to some of the work by his former band, May's path is far more hard-edged and emotionally punched than the majority of Queen's work…

The fourth studio album from Britain's Rebecca Ferguson, 2016's Superwoman is a hooky, sophisticated production worthy of her immense talent. Blessed with an earthy, soulful wallop of a voice, Ferguson rose from modest beginnings in Liverpool as the daughter of Jamaican immigrants and a teen mom to acclaim as the runner-up on the British version of The X Factor in 2010…

Tenor saxophonist Bob Cooper's only Contemporary album is a near-classic and one of his finest recordings. Cooper, along with trombonist Frank Rosolino, vibraphonist Victor Feldman, pianist Lou Levy, bassist Max Bennett, and drummer Mel Lewis, performs colorful versions of five standards (best are "Confirmation," "Easy Living," and "Somebody Loves Me") that show off his attractive tone and ability to swing at any tempo…

Brenda Mae Tarpley (born December 11, 1944), known professionally as Brenda Lee, is an American singer. Performing rockabilly, pop and country music, she had 47 US chart hits during the 1960s and is ranked fourth in that decade, surpassed only by Elvis Presley, the Beatles and Ray Charles. She is known for her 1960 hit "I'm Sorry", and 1958's "Rockin' Around the Christmas Tree", which has become a Christmas standard…

Nobody Else But Me illuminates the dark corners of romance with rare depth and maturity – Betty Bennett's sultry, knowing vocals further establish the palpable feeling that this is a record for adults. Shorty Rogers and André Previn share arranger duties, and both operate in a framework emphasizing nuance and restraint, enabling Bennett to articulate her tales of love and loss without embellishment or redundancy…