The primary impetus behind this ambitious 12-disc box set is to gather all nine of the Grateful Dead's Warner Brothers titles. However, the staggeringly high quotient of previously unissued bonus material rivals – and at times exceeds – the content of those original albums. The Golden Road (1965-1973) truly has something – and usually a lot of it – for every degree of Deadhead…
The primary impetus behind this ambitious 12-disc box set is to gather all nine of the Grateful Dead's Warner Brothers titles. However, the staggeringly high quotient of previously unissued bonus material rivals - and at times exceeds - the content of those original albums. The Golden Road (1965-1973) truly has something - and usually a lot of it - for every degree of Deadhead. Working chronologically, the bonus material begins before the beginning so to speak, with the two-disc sub-compilation aptly titled "Birth of the Dead," a project actually green-lighted by Jerry Garcia in the mid-'80s. Disc one features studio recordings by a primordial incarnation of the band known as the Warlocks and later the Emergency Crew. Disc two contrasts their studio efforts with some of the earliest surviving live Grateful Dead recordings from July of 1966…
For many Deadheads, the release of Hundred Year Hall: 4-26-72 (1995) in September 1995 is inextricably linked with the passing of Jerry Garcia (guitar/vocals) a few weeks earlier. This double-CD features just under two-and-a-half hours of highlights from the Grateful Dead on April 26, 1972 at Jahrhundert Halle in Frankfurt, Germany. The band was in the midst of its Europe '72 excursion, not to mention a state of transition. Chronic health issues would force co-founder Ron "Pigpen" McKernan (vocals/organ/harmonica) off the road for good in less than two months.
This month's covermount CD is Grateful Dead: From The Bay To The Pool, Live 1971–1978. A must-hear curation of classic and rare tracks to delight Deadheads and non-believers alike. Wharf Rat, Truckin’, Casey Jones and more!
“For the Grateful Dead's second live album, released two years after its predecessor LIVE/DEAD, the band delivered an equally magnificent, but entirely different, Grateful Dead sound. Whereas LIVE/DEAD was a perfect sonic encapsulation of the band at the peak of their Primal Dead era, SKULL & ROSES captures the quintessential quintet, the original five piece band, playing some of their hardest hitting rock 'n' roll (‘Johnny B. Goode,’ ‘Not Fade Away’), showing off their authentic Bakersfield bona fides (‘Me & My Uncle,’ ‘Mama Tried,’ ‘Me & Bobby McGee’), and some originals that would be important parts of the Dead's live repertoire for the next 24 years (‘Bertha,’ ‘Playing In The Band,’ ‘Wharf Rat’).