Despite a frequent change of supporting players, pianist Hank Jones always produces rewarding sessions when he leads the Great Jazz Trio in a studio date. On the 1978 Great Jazz Trio Direct From L.A. disc made for the Japanese label East Wind, premier sidemen Ron Carter and Tony Williams are on hand. Right away Jones signals that he is in a playful mood, using Tchaikovsky's "Arabian Dance" (from The Nutcracker) to introduce and close a cooking rendition of "A Night in Tunisia." The treatment of "'Round About Midnight" is more straightforward, though Jones' style adds an elegant touch. His off-kilter introduction to the well-traveled "Satin Doll" keeps the song fresh. He transforms "My Funny Valentine" into a brisk loping waltz, with Carter and Williams providing imaginative support. If there's a bone to pick with this well-recorded CD, it is the miserly length of just 29 minutes.
"Hank Jones has been known to be a quintessential sideman and occasional leader during his lengthy career as a premier jazz pianist. His most frequent project has been as the ostensible leader of the co-op group known as the Great Jazz Trio, a classic example of how the piano-bass-drums format has remained timeless, enduring, and ever challenging…"
Hidehiko "Sleepy" Matsumoto (October 12, 1926, Okayama - February 29, 2000, Tokyo) was a Japanese jazz saxophonist and bandleader. Matsumoto played bebop in Japan in the late 1940s with the group CB Nine, then joined The Six Josés and The Big Four, a group which included George Kawaguchi, Hachidai Nakamura, and Mitsuru Ono. In 1959 he became a member of Hideo Shiraki's small ensemble, and played with Gerald Wilson at the 1963 Monterey Jazz Festival and Toshiko Akiyoshi in 1964. Starting in 1964 he led his own ensembles, which have included as sidemen Takeshi Inomata, Akira Miyazawa, George Otsuka, and Isao Suzuki.
This album recorded in 1984 is a tribute to one of the great Jazz pianists, Thelonious Monk.
Hank Jones has been known to be a quintessential sideman and occasional leader during his lengthy career as a premier jazz pianist. His most frequent project has been as the ostensible leader of the co-op group known as the Great Jazz Trio, a classic example of how the piano-bass-drums format has remained timeless, enduring, and ever challenging. Formed in the spring of 1975, the initial threesome performed together for the first time at the Village Vanguard nightclub in New York City for one week, was given its name by owner Max Gordon, and consisted of Jones, drummer Tony Williams, and bassist Ron Carter…
Hank Jones has been known to be a quintessential sideman and occasional leader during his lengthy career as a premier jazz pianist. His most frequent project has been as the ostensible leader of the co-op group known as the Great Jazz Trio, a classic example of how the piano-bass-drums format has remained timeless, enduring, and ever challenging.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. A bit of a variation on Hank Jones' Great Jazz Trio – at least in comparison to the group's better-known records from the Japanese scene in the late 70s and early 80s – but a variation that brings along some mighty nice changes, too! The rhythm section duo here is especially vibrant – rich basslines from Mads Vinding, and some tightly snapping drums from Billy Hart – who has this way of punctuating the tunes differently than previous drummers in the trio – creating a whole new scenario of swing for Hank to work with. Jones' piano is at the top of his gem at this point in his career – and titles on this second volume include "Angel Eyes", "Black Orpheus", "Gone With The Wind", "Dark Eyes", "Alone Together", "Softly As In A Morning Sunrise", and "On Green Dolphin Street".
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. A bit of a variation on Hank Jones' Great Jazz Trio – at least in comparison to the group's better-known records from the Japanese scene in the late 70s and early 80s – but a variation that brings along some mighty nice changes, too! The rhythm section duo here is especially vibrant – rich basslines from Mads Vinding, and some tightly snapping drums from Billy Hart – who has this way of punctuating the tunes differently than previous drummers in the trio – creating a whole new scenario of swing for Hank to work with. Jones' piano is at the top of his gem at this point in his career – and titles on this first volume include "After You've Gone", "Summertime", "As Time Goes By", "You'd Be So Nice To Come Home To", "Days Of Wine & Roses", and "Prelude To A Kiss".