Green Day

Legendary jazz vocalist Anita O'Day performs with, among others, her life-long musical partner, John Poole. Acknowledged by many as the world's most inventive jazz singer, she performs a number of classics such as "On Green Dolphin Street," "My Funny Valentine" and "They Can't Take That Away from Me."

This release presents Lou Donaldson’s complete original LP "Here 'Tis", which marks the first of his six recording sessions with the brilliant guitarist Grant Green. The group is complemented by organist Baby Face Willette (with whom Donaldson would never record again), and drummer Dave Bailey. Also included here is a complete session recorded by Donaldson and Green shortly after in the same format, but this time with Brother Jack McDuff on organ (with whom the saxophonist would never collaborate again), and Joe Dukes on drums.

This is vocalist Elaine Delmar's first album in many years, It features some of the real treasures from her repertoire. The songs span the decades, from the 1920s to the 2000s, in arrangements by many of Elaine's wonderful musical collaborators over the years. The album features the musicians whom Elaine considers her musical family and highlights Elaine's unique ability to communicate the meaning of the lyric, the beauty of the melody and the reflective side of jazz.

This is vocalist Elaine Delmar's first album in many years, It features some of the real treasures from her repertoire. The songs span the decades, from the 1920s to the 2000s, in arrangements by many of Elaine's wonderful musical collaborators over the years. The album features the musicians whom Elaine considers her musical family and highlights Elaine's unique ability to communicate the meaning of the lyric, the beauty of the melody and the reflective side of jazz.

What Every Girl Should Know (1960). When Doris Day entered the recording studio to make her annual LP in December 1959, she was arguably at her peak as a movie star, having seen the release two months earlier of Pillow Talk, the first of the frothy comedies she would make in the late '50s and early '60s. But as a recording artist, she seemed to be in trouble. Since 1957, when both Day by Day and the soundtrack to The Pajama Game, in which she starred, made the Top Ten, she had not cracked the album charts, failing with Day by Night (1958) and Cuttin' Capers (1959). Unfortunately, What Every Girl Should Know was not the album to reverse this pattern. The concept, as expressed in Robert Wells and David Holt's 1954 title song, was the offering of advice to females, much of it, as it happened, written by men…