CeeLo Green has never made a bad album, and isn’t about to change his ways with Heart Blanche, which overflows with positive energy. The key track is “Est. 1980s”, a euphoric celebration of his musical influences, set to the kind of flanged guitar groove popular in an era when “Michael Jackson was king, Aaron Neville was God, and Run DMC looked just like me”. The period influence is confirmed by the sampled Taxi theme used for “Sign of the Times”, and by the departed comics (Belushi, Pryor, Williams) eulogised in “Robin Williams”, his tribute to the late comedian. Elsewhere, “Mother May I” suggests the teenage CeeLo straining at the parental leash, while “Music to My Soul” offers uplift to those “living in darkness”. The standard dips slightly in the later stages, but the grooves throughout are sleek and snappy, and CeeLo himself has rarely sounded better.
Back when the Rolling Stones were proud to be the voice of revolt and Mick Jagger was as far away from his knighthood as Zayn Malik is from a seat in the House of Lords, they were, very occasionally, modest, not to say humble. A couple years after cutting their eponymous first album in 1964, chock full of covers of blues and rhythm and blues songs by black artists including a buzz-toned slice of anthropomorphism about our favourite honey-making insect, Jagger told Rolling Stone magazine: “You could say that we did blues to turn people on, but why they would be turned on by us is unbelievably stupid. I mean what's the point in listening to us doing ‘I’m a King Bee’ when you can hear Slim Harpo do it?”
Well, it does exactly what it says on the box. The 57 tracks on this 'Magic Bus' compilation run from the late 1960s to the early 1970s, but, with remarkable perspicacity, the compiler has mixed them up very cleverly. The CDs are called 'Turn On', 'Tune In' and 'Drop Out' and the songs on each one reflect, more or less, their monikers. Thus, on CD1 Scott McKenzie rubs shoulders with Barry McGuire, CD2 is full of singer-songwriters; Dylan, Cat Stevens and the like; whilst CD3 rocks it up with Steppenwolf and Cream. What this collection is selling is nostalgia and it does it very, very well. Anyone who grew up through the years in question will remember every one of these songs and probably sing along with them too. It has to be said that there are two major omissions though, there is nothing by either The Beatles or The Rolling Stones. Down to licensing presumably. That said, this is an absolutely classic collection that has been selected with extreme care and, dare it be said, love.