Coinciding with the 50th anniversary of its recording in 1966, this reissue makes one of the cornerstones of the experimental music tradition available again in its original form. A testament to the interaction between the experimental avant-garde and the free improvisation, the album was originally released on Rca, and played by musicians who include Ennio Morricone on trumpet, Frederic Rzewski on piano, Mario Bertoncini on percussion, John Heineman on trombone, Roland Kayn on Hammond and vibes, Franco Evangelisti on piano and percussion, and Ivan Vandor on tenor sax.
One of the most 'hidden' and sought after releases of all times is finally getting a due repress: a work of epic proportions, Ennio Morricone's and Bruno Nicolai's "Dimensioni Sonore" has been eluding collectors and affectionate listeners for about 50 years.
Hidden deep within Ennio Morricone’s vast discography, far from his overground cinematic successes and accomplished pop dalliances, far from the sheen and glare of Cinecittà and Hollywood, lays the maestro’s most singular and most strikingly beautiful recording.
For a long time, Ennio Morricone (1928-2020) kept the two main fields of his compositional activity neatly separated. First, there was film music: this was undoubtedly the best known and also the most abundant of the two. His artistic partnerships with directors such as Sergio Leone, Giuseppe Tornatore, Pier Paolo Pasolini, Giuliano Montaldo, Elio Petri, and Gillo Pontecorvo marked the history of film music. However, the directors with whom he cooperated, also on the international stage, are very numerous, including Brian De Palma and Quentin Tarantino. His film music comprises nearly 500 scores: a record quantity, reached over the course of more than five decades, and crowned by three Academy Awards, three Golden Globes, five BAFTAs, a Grammy and countless other awards.
A hitherto-unreleased electronic masterpiece from Roland Kayn, singular pioneer of cybernetic music. Over a period spanning the late 70s through the early 80s, Kayn (1933–2011) issued a quintet of extended works that quietly but definitively redrew the map of electronic music. Informed by cybernetics and a desire to actualise analogue circuitry as an agency in the compositional process, this music adopted a form that can only be described as oceanic, as side after side of vinyl allowed a wholly new vocabulary of electronic sound to find its shape. This set features a staggering batch of mesmerising computer music realised in 1982-83, roughly between his totemic ‘Infra’ and ‘Tektra’ boxsets. Essential listening for fans of Xenakis, Æ, Cam Deas, Jim O’Rourke, Laurie Spiegel.
A pioneer of electronic, computer, and instrumental avant-garde music, for the majority of his life, the German composer Roland Kayn remained one of the great unheralded figures in the landscape of 20th century sound - a founding member of Gruppo di Improvvisazione Nuova Consonanza, who delved into singular territories entirely his own. Fortunately, in the last few years, in part due to the release of his monumental work, A Little Electronic Milky Way of Sound, by Frozen Reeds in 2017, and Die Schachtel’s deluxe vinyl reissue of his seminal composition, Simultan, last year, the scope and depth of his efforts have begun to take centre stage in the public mind.