Guitar Player August 2024

From the first seconds of the opening track, trumpeter Jonathan Powell immediately signals that his new album Mambo Jazz Party is no ordinary record. With irresistible layers of groove and the indomitably danceable feels of Latin Jazz spurred eternally forward by the campana (cowbell), the audience is instantly hooked. Drawing on two decades of expertise as a sideman for Latin Jazz legends such as Eddie Palmieri, Arturo O’Farrill, Miguel Zenon, Oscar Hernandez and the Spanish Harlem Orchestra, and Tito Puente Jr., Powell assembles a rotating 18-piece ensemble that brings the party of great, danceable Latin Jazz and Mambo and combines it with the aesthetic of modern electric jazz on Mambo Jazz Party, releasing August 9, 2024 via Circle 9.

From the first seconds of the opening track, trumpeter Jonathan Powell immediately signals that his new album Mambo Jazz Party is no ordinary record. With irresistible layers of groove and the indomitably danceable feels of Latin Jazz spurred eternally forward by the campana (cowbell), the audience is instantly hooked. Drawing on two decades of expertise as a sideman for Latin Jazz legends such as Eddie Palmieri, Arturo O’Farrill, Miguel Zenon, Oscar Hernandez and the Spanish Harlem Orchestra, and Tito Puente Jr., Powell assembles a rotating 18-piece ensemble that brings the party of great, danceable Latin Jazz and Mambo and combines it with the aesthetic of modern electric jazz on Mambo Jazz Party, releasing August 9, 2024 via Circle 9.

Extended Noise (established 1982) was a Norwegian Jazz Quintet. Their first album Keep nose in front (1984) under the name AHA was released after an acclaimed appearance at Moldejazz 1983, followed by the Extended nose album Jamaha (1986) where Alnes was substituted for Klakegg. The change of name was dued to the competition from the Norwegian pop band "a-ha".

Extended Noise (established 1982) was a Norwegian Jazz Quintet. Their first album Keep nose in front (1984) under the name AHA was released after an acclaimed appearance at Moldejazz 1983, followed by the Extended nose album Jamaha (1986) where Alnes was substituted for Klakegg. The change of name was dued to the competition from the Norwegian pop band "a-ha".

GRAMMY Award winning American Roots artists Cathy Fink & Marcy Marxer join with Chinese classical hammered dulcimer player Chao Tian in this folk infused world music exploration. Chinese and American songs are accompanied on yangqin (Chinese hammered dulcimer), gourd banjo, five-string banjo, ukulele, guitars, dumbek, cello-banjo and mandolin.
The group’s repertoire includes traditional Chinese and Appalachian music as well as contemporary and traditional music from around the world. Unusual combinations explore new arrangements to old music, such as “Dark Eyes.” Ukulele, yangqin and guitar create a new pallet for this Russian folk song turned jazz manouche tune. Cathy and Marcy join Chao in singing a Chinese lullaby, “Nani Wan” and Chao easily adds her love of American Old-Time music to fiddle tunes and songs.
“From China to Appalachia brings together disparate musical traditions in the spirit of thoughtful inquiry and free artistic collaboration.” Greg Reisch, PhD, Director, Center for Popular Music, MTSU

The Concert for Bangladesh (or Bangla Desh, as the country's name was originally spelt) was a pair of benefit concerts organised by former Beatles guitarist George Harrison and Indian sitar player Ravi Shankar. The shows were held at 2:30 and 8:00 pm on Sunday, 1 August 1971, at Madison Square Garden in New York City, to raise international awareness of, and fund relief for refugees from East Pakistan, following the Bangladesh Liberation War-related genocide and the 1970 Bhola cyclone. The concerts were followed by a bestselling live album, a boxed three-record set, and Apple Films' concert documentary, which opened in cinemas in the spring of 1972.

The Concert for Bangladesh (or Bangla Desh, as the country's name was originally spelt) was a pair of benefit concerts organised by former Beatles guitarist George Harrison and Indian sitar player Ravi Shankar. The shows were held at 2:30 and 8:00 pm on Sunday, 1 August 1971, at Madison Square Garden in New York City, to raise international awareness of, and fund relief for refugees from East Pakistan, following the Bangladesh Liberation War-related genocide and the 1970 Bhola cyclone. The concerts were followed by a bestselling live album, a boxed three-record set, and Apple Films' concert documentary, which opened in cinemas in the spring of 1972.

GRAMMY Award winning American Roots artists Cathy Fink & Marcy Marxer join with Chinese classical hammered dulcimer player Chao Tian in this folk infused world music exploration. Chinese and American songs are accompanied on yangqin (Chinese hammered dulcimer), gourd banjo, five-string banjo, ukulele, guitars, dumbek, cello-banjo and mandolin.
The group’s repertoire includes traditional Chinese and Appalachian music as well as contemporary and traditional music from around the world. Unusual combinations explore new arrangements to old music, such as “Dark Eyes.” Ukulele, yangqin and guitar create a new pallet for this Russian folk song turned jazz manouche tune. Cathy and Marcy join Chao in singing a Chinese lullaby, “Nani Wan” and Chao easily adds her love of American Old-Time music to fiddle tunes and songs.
“From China to Appalachia brings together disparate musical traditions in the spirit of thoughtful inquiry and free artistic collaboration.” Greg Reisch, PhD, Director, Center for Popular Music, MTSU

An iconoclast with a large, loyal audience and a long, very successful career, Neil Young has explored a impressive range of styles – from acoustic introspection and wistful country rock to blistering hard rock, electronic experimentation, blues, rockabilly, and heartfelt polemics – while sounding entirely like Neil Young at all times, with his engagingly craggy voice, his flinty sincerity, and unique gifts as a songwriter. Young's creative restlessness is a comfortable match for his prolific nature, and he's not averse to dropping his current fascinations for something else on the drop of a dime, which frustrates some fans but also helps keep his music fresh and full of ideas. Even when he's in relatively familiar musical territory (his electric music with Crazy Horse, his rootsy semi-acoustic work, the intimacy of his solo performances, his thematic albums focusing on life experiences and his take on the world around him), there's a spark of unpredictability that fuels his muse and keeps him in the present day despite a career spanning over seven decades.

An iconoclast with a large, loyal audience and a long, very successful career, Neil Young has explored a impressive range of styles – from acoustic introspection and wistful country rock to blistering hard rock, electronic experimentation, blues, rockabilly, and heartfelt polemics – while sounding entirely like Neil Young at all times, with his engagingly craggy voice, his flinty sincerity, and unique gifts as a songwriter. Young's creative restlessness is a comfortable match for his prolific nature, and he's not averse to dropping his current fascinations for something else on the drop of a dime, which frustrates some fans but also helps keep his music fresh and full of ideas. Even when he's in relatively familiar musical territory (his electric music with Crazy Horse, his rootsy semi-acoustic work, the intimacy of his solo performances, his thematic albums focusing on life experiences and his take on the world around him), there's a spark of unpredictability that fuels his muse and keeps him in the present day despite a career spanning over seven decades.