Gumroad Introduction to Creature Sculpting "grey Alien" by Josh P. Crockett

Senior Character and Creature Concept Artist Kyle Brown returns with Volume 2 of his Creature Design workshop to share his coloring and texturing techniques for Photoshop. With Volume 1 dedicated to the sketching and idea-exploration phase, Volume 2 now focuses on the core skills at the foundation of creature design and discusses the differences between real-world materials and textures that can help to achieve photorealistic results and bring concept sketches to life.

This textbook is written for junior/senior undergraduate and first-year graduate students in the electrical and computer engineering departments. Using PSoC mixed-signal array design, the authors define the characteristics of embedded design, embedded mixed-signal architectures, and top-down design. Optimized implementations of these designs are included to illustrate the theory. Exercises are provided at the end of each chapter for practice.

Every step of creating your own Dragon in Blender; blocking, modelling, sculpting, rigging, painting, lighting.

Every step of creating your own Dragon in Blender; blocking, modelling, sculpting, rigging, painting, lighting.

Hello guys, welcome to the new Blender course. My name is Zerina and in this course, I am going to show you how to get started with sculpting in Blender.

Modeling, painting, animation, simulation, rendering…is there anything you CAN'T do in Blender? The possibilities are seemingly endless, and 3D tools like Blender have made visual storytelling even more attainable for artists, while also giving artists the tools they need to be able to create the high-level 3D art that creative industries seek today. In this course, 3D generalist, lead environment artist, and matte painter, Sonja Christoph, will teach you all the tools and techniques you need to get started in creating your own 3D art in Blender!

From the reviews of the first printing, published as Volume 7 of the Encyclopaedia of Mathematical Sciences:
"…… In this volume, we find an introductory essay entitled "Remarkable Facts of Complex Analysis" by Vitushkin… This is followed by articles by G.M.Khenkin on integral formulas in complex analysis, by E.M.Chirka on complex analytic sets, by Vitushkin on the geometry of hypersurfaces and by P.Dolbeault, on the theory of residues in several variables. … In sum, the volume under review is the first quarter of an important work that surveys an active branch of modern mathematics. Some of the individual articles are reminiscent in style of the early volumes of the first Ergebnisse series and will probably prove to be equally useful as a reference; all contain substantial lists of references."
Bulletin of the American Mathematical Society, 1991 "… This remarkable book has a helpfully informal style, abundant motivation, outlined proofs followed by precise references, and an extensive bibliography; it will be an invaluable reference and a companion to modern courses on several complex variables."

Creating game-ready foliage by hand is simplified in this 3-hour workshop by Peyton Varney, Environment Texture Artist on The Last of Us Part II. This beginner-level tutorial walks through the complete process for asset creation, from sourcing references to the final implementation into the Unreal engine. The entire pipeline of foliage creation is covered, starting with an initial block-out based on the gathered references and moving into the modeling and sculpting process using the industry-standard tools Maya and ZBrush to flesh out the look of the plants. The texture-creation portion delves into Substance Painter and Substance Designer, teaching how you can bring your game assets to life with great textures.

I'm very glad to bring you our new online course: "The Ultimate Introduction to Redshift For Cinema 4D".