Gwendoline C'est à Moi Ça

Gwendoline’s music doesn’t give a fuck. Doesn’t make proper plans, as they keep telling anyone who’ll listen. Everyone will hear what they want on “C’est à moi, ça”, new album by two Brest-based boys on Born Bad. Some would have them be Joy Division or les Béruriers Noirs. Some would brand them cold-wave, dark-wave, chav-wave, you name it. We won’t.

C-Organizer Professional is a beautiful and powerful personal information manager. The program can help you organize and plan your business and personal life. In short, this is a Planner, Address Book, Password and Bookmark manager, Notebook, and a Calendar of Events combined into one powerful, easy-to-use application. All data can be shared in real-time on a network. You and your assistant can be in using your calendar at the same time! Moreover, you can synchronize your C-Organizer Appointments, Tasks and Address book with your Pocket PC or Palm device!

Primicia en castellano, la version de Pastanaga de Gwendoline:
John Alexander Scott Coutts (9 de diciembre de 1902 - 5 de agosto de 1962), más conocido como John Willie, fue un dibujante y fotógrafo estadounidense, experto en bondage. Su obra más célebre es la serie de historietas The Adventures of Sweet Gwendoline (Las aventuras de la dulce Gwendoline).

The Orpheus myth was as important for the birth of opera in France as it had been in Italy. In 1684, Charpentier composed a work for three voices, Orphée descendant aux Enfers. With this piece, remarkable for its style and concision, he showed how well he had assimilated Carissimi's art. It is a dramatic scene, similar to the sacred histories of the Roman master. The text, by an unknown author, narrates Orpheus quest for his beloved in the Underworld. The hero's haute-contre gives him an elegiac timbre this was the vocal register in which Charpentier, himself a singer, excelled. In 1687 he created his second illustration of the myth, La Descente d Orphée aux Enfers. In its two acts can be discerned the outline of a possible complete opera the manuscript has reached us shorn of the third act in which Orpheus would presumably have lost Eurydice before being devoured by the Maenads.

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