György Ligeti

Along with the two books of piano studies by Gyorgy Ligeti, the Etudes of Philip Glass have taken their place as modern classics of the literature, serving both a didactic purpose to train the fingers and minds of their performers, but also bringing their unique soundworlds to new audiences. Glass himself remarked that the first book, compiled from work between 1991 and 2012, had a twin objective, to explore a variety of tempi, textures and piano techniques.

Achterland is the film adaptation of a stage production of the same name from 1990. The film was shot in the set of the stage production in the Rosas rehearsal studio.

Denys Bouliane - Une Soirée Vian (1997)
Classical | EAC: FLAC+Cue+Log | 1 Cd, Covers | 378 Mb
Label: col legno - Date: 1997

Denys Bouliane (born May 8, 1955, in Grand-Mère, Quebec) is a Canadian composer and conductor. He is a graduate of Laval University (B.Mus 1977 and M.Mus in 1979). He studied music composition in the Neue Musik Theater class of Mauricio Kagel in Cologne followed by studies with György Ligeti until 1985. As a Professor of Composition at McGill University, he conducts the Contemporary Music Ensemble and organises the festivals Montréal Nouvelles-Musiques and MusiMars…

Recorded live in Burghausen, Germany in 2007, Far Side features journeyman avant-garde saxophonist Roscoe Mitchell and his ensemble the Note Factory performing in a concert. Joining Mitchell here are trumpeter Corey Wilkes, pianists Craig Taborn and Vijay Iyer, bassists Jaribu Shahid and Harrison Bankhead, and drummers Tani Tabbal and Vincent Davis. Beginning with the epic three-part 30-minute suite "Far Side/Cards/Far Side," the concert is an atmospheric and cinematic mix of Mitchell's longstanding musical touchstones including free jazz, European classical music, and modern creative group improvisation. Tracks such as the fragmented and atonal "Quintet 2007 A for Eight" and the similarly inclined "Trio Four for Eight" have the feel of composed classical music while evincing a more freely improvised aesthetic. This is often achieved by juxtaposing bowed cello and bass parts against improvised piano and sections where each musician seems to interject a melodic idea into an overall harmonic theme. There are moments of layered percussion, expansive atonal soundscapes, and fiery and combative moments between Mitchell and Wilkes as well as windy, drawn-out passages that tilt upon silence. If you're a hardcore Mitchell aficionado and/or fan of ECM's cerebral jazz catalog, Far Side would be a stellar addition to your library.