Jaco Pastorius was a meteor who blazed on to the scene in the 1970s, only to flame out tragically in the 1980s. With a brilliantly fleet technique and fertile melodic imagination, Pastorius made his fretless electric bass leap out from the depths of the rhythm section into the front line with fluid machine-gun-like passages that demanded attention. He also sported a strutting, dancing, flamboyant performing style and posed a further triple-threat as a talented composer, arranger and producer. He and Stanley Clarke were the towering influences on their instrument in the 1970s. Collection includes 'Broadway Blues' & 'Teresa', 'Heavy'n Jazz' & 'Stuttgart Aria', 'Live In Italy' & 'Honestly'.
On "C.H.R.O.N.O.S", their 3rd album on Karl, Arovane and Porya Hatami deliver five delicate ambient pieces, rich in textures and zen-like atmospheres.
After "Organism" (2017) and the musique concrete influenced "Organism_evolution" (2018) Uwe Zahn alias Arovane and Porya Hatami continue their sonic explorations with "C.H.R.O.N.O.S.", the fifth collaborational album by the German electronic producer and the Iranian sound artist…
ACRONYM's exploration of the wild music attributed to H.I.F. von Biber includes several pieces recorded here for the first time. Works include programmatic battle music, Latin church music, and dance suites. ACRONYM (Anachronistic Cooperative Realizing Obscure Nuanced Yesteryear’s Masterpieces), an “outstanding young early music string ensemble” (The New Yorker), is dedicated to giving modern premieres of the wild instrumental music of the seventeenth century. Since 2014 the band has released seven critically acclaimed recordings. ACRONYM’s performances have been praised for their “consummate style, grace, and unity of spirit.” (The New York Times)
Not one miss among these tracks. Atmospheric and precise, yet somehow laissez-faire…