Harnoncourt Dvorak
Sir Colin Davis, LSO - Smetana: Ma vlast (2005) MCH PS3 ISO + DSD64 + Hi-Res FLAC Vinyl & HR
Posted by HDAtall at Aug. 21, 2024
Sir Colin Davis, London Symphony Orchestra - Bedřich Smetana: Má vlast (2005)
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 75:00 min | PDF Scan | 4,35 GB
or DSD64 Stereo (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | PDF Scan | 1,86 GB
or FLAC (carefully converted & encoded to tracks) 24bit/88,2 kHz | PDF Scan | 1,38 GB
Features Stereo and Multichannel Surround Sound
VA - Classical: The Collection - The Ultimate Classical Masterpieces (2017) Music
Posted by delpotro at Feb. 12, 2024
VA - Classical: The Collection - The Ultimate Classical Masterpieces (2017)
FLAC (tracks) - 1,38 Gb | MP3 CBR 320 kbps | 04:58:33 | 688 Mb
Classical | Label: Rhino Records
FLAC (tracks) - 1,38 Gb | MP3 CBR 320 kbps | 04:58:33 | 688 Mb
Classical | Label: Rhino Records
The finest masterpieces of classical music are available on the 4 CDs of "Classical: The Collection". A selection of sonatas, symphonies and concertos by the greatest composers of all time including Beethoven, Mozart, Handel and Haydn to name a few. This collection is a must-have for all music lovers!
Alexander Kluge, Magazin des Glücks eBooks & eLearning
Posted by DZ123 at Oct. 2, 2019
Sebastian Huber, Claus Philipp, W. Korn, "Alexander Kluge, Magazin des Glücks"
Deutsch | 2007 | ISBN: 3211486488 | PDF | pages: 162 | 43.2 mb
Deutsch | 2007 | ISBN: 3211486488 | PDF | pages: 162 | 43.2 mb
Vassily Sinaisky, BBC Philharmonic Orchestra - Dmitri Shostakovich: Symphony No. 4 (2002) Music
Posted by ArlegZ at Aug. 15, 2023
Vassily Sinaisky, BBC Philharmonic Orchestra - Dmitri Shostakovich: Symphony No. 4 in C minor, opus 43 (2002)
EAC | FLAC | Image (Cue & Log) ~ 283 Mb | Total time: 73:59 | Scans included
Classical | Label: BBC Music Magazine | # BBC MM220 | Recorded: 2000
EAC | FLAC | Image (Cue & Log) ~ 283 Mb | Total time: 73:59 | Scans included
Classical | Label: BBC Music Magazine | # BBC MM220 | Recorded: 2000
The Fourth Symphony has acquired a rather special status in the last few decades. It is Shostakovich’s first really mature symphony (a distinction which used to be conferred on the Fifth), and though Shostakovich had not quite finished it when he was viciously attacked in the pages of Pravda, the general consensus has been that it represented the composer’s genuine artistic aims, unsullied by the pressures of official interference.