Duke Ellington’s status as a legend is well-merited. This new release presents the star and his whole orchestra in full vigor at a 1969 Rotterdam concert. Duke Ellington & His Orchestra toured Europe in November 1969, a time when Duke was still at the top of his powers. It is a pleasure to be able to issue the whole of an excellent concert recorded in De Doelen Concert Hall in Rotterdam—a venue famous for its splendid acoustics. The ambience is remarkable on this live recording: The audience is audibly enthusiastic and these high spirits influence the band: Duke Ellington and the orchestra gave two concerts on November 7th, and even though this is the second one, the musicians sound nothing but lively and fresh.
Tenor saxophonist Paul Gonsalves will be remembered by many for his riotous 27 choruses on the Newport recording of "Diminuendo in Blue and Crescendo in Blue." As with other prime Ellington soloists like Johnny Hodges and Harry Carney, Gonsalves was given ample room to display his wares live and in the studio. Duke's faith in Gonsalves was certainly made clear at Newport and is proven again on this very enjoyable showcase. Unbeknownst to Gonsalves, though, Ellington planned the session as a vehicle for his soloist's considerable skills.
Now that Duke Ellington had regained his former commercial success with his performance at the 1956 Newport Jazz Festival, he was free for the remainder of his career to essentially play what he pleased. This live performacne from ranges from old favorites like "I Got It Bad" and "Sophisticated Lady" to the spectacular Britt Woodman trombone feature on "Theme Trambene," the whimsical "Pretty and the Wolf," a fresh rendition of "Harlem Air Shaft" featuring trumpeter Clark Terry and the extended "Harlem Suite." Baritonist Harry Carney, high-note trumpet wizard Cat Anderson and altoist Johnny Hodges all have their great moments on this enjoyable set.
This two-LP set lives up to its title. First Duke Ellington and his orchestra are heard in 1952 during a period when they were being overlooked by the jazz media but still producing a great deal of worthy music. The second half of this release is taken from a European tour in 1965 and features some prime late-period playing from trumpeter Cootie Williams.