“[These suites] have rarely been recorded or promoted by harpsichordists during the most recent revival of interest in ‘early music.’” I realize that Richard Egarr is entitled to his own opinions—his liner notes on an earlier release, for example, likened the humor in Purcell’s harpsichord music to that of the wonderful old 1950s BBC comedy The Goon Show —but he’s not entitled to his own facts. Christopher Brodersen pointed out in a 2011 review of these works featuring Laurence Cummings ( Fanfare 34:5) that ArkivMusic listed nine complete sets played on the harpsichord, with several others on the piano. I find some of the suites have considerably more recordings than that, in 2014: 26 for the Suite in A Major, 28 for the Suite in D Minor, 25 for the Suite in E Minor, 47 for the Suite in E Major. If such numbers reflect rare recordings, I have to wonder what Egarr would consider a moderate number, let alone a frequent one.
Esperanto is a language invented in 1887 by Zamenhof, who combined bits of various Romance language to make what he hoped would become a vehicle of universal communication. The Belgo-English band of the same name at the beginning of the 70s had a short but intense career and produced an extremely varied musical repertoire thanks to the many different nationalities, origins and outlooks of its members…