After rising from the ashes with 1982's impressive Abominog, Uriah Heep continued to pursue a similar combination of heavy metal firepower and AOR sleekness on Head First. This album lacks the consistently strong tunes and unified feel of its predecessor, but it still offers enough highlights to make it worth a listen…
Badfinger completed their best album in 1975, then had it pulled from the shelves in a haze of managerial misdeals and contractual screw-ups. They were good soldiers, at least for a while, heading into the studio (without Joey Molland, who bailed at the last minute) to bash out another album for Warner, completing it in two weeks. Warner rejected the effort, lead songwriter Pete Ham committed suicide not long afterward, and the album sat in the vaults until late 2000, when Artisan/Snapper released Head First as a double-disc set (the second disc consisting of demos and outtakes). Head First confirms that Badfinger had settled into a groove with Wish You Were Here, finding an effective middle ground between their pop gifts and hard rock inclinations, with both Ham and Tom Evans contributing equally strong works.
After rising from the ashes with 1982's impressive Abominog, Uriah Heep continued to pursue a similar combination of heavy metal firepower and AOR sleekness on Head First. This album lacks the consistently strong tunes and unified feel of its predecessor, but it still offers enough highlights to make it worth a listen…
John Turville has put together a quintet that spans generations for this lively, self-assured release, with saxophonist Julian Arguelles, a mainstay of British jazz for over 30 years, joining younger musicians like drummer James Maddren and Robbie Robson on trumpet. Dave Whitford is on bass.