In 1980 Roby Duke signed with Songbird records, a joint effort between Sparrow Records and MCA for artists with a decidedly mainstream sound or potential. Roby Duke’s music was so out-of-place in CCM, with its clear soulful and jazz influence and a cool factor that was through the roof. The album sported a host of who’s who musicians and vocalists including Hadley Hockensmith, Marty Walsh, Harlan Rogers, Keith Edwards, Dan Huff, Alex MacDougall and Rob Watson. How can anyone go wrong with two members of Daniel Amos and nearly the totality of Koinonia? CCM sweetheart Kelly Willard also appears on a great duet…
Coming out of the fertile London jazz and experimental scenes, Krononaut is a richly textured new ensemble helmed by guitarist /producer Leo Abrahams (Brian Eno, Imogen Heap, Jon Hopkins) and drummer Martin France (Nils Petter Molvær, Evan Parker). The album features an esteemed group of collaborators and a sonic footprint that channels spectral ambiance, ‘fourth world’ expansions and a gorgeous slow-boiling pointillism.
Producers Sonia Friedman and Colin Callender are proud to announce that The Music of Harry Potter and the Cursed Child, an album of music from the internationally acclaimed stage production, will be released on November 2, 2018! The Music of Harry Potter and the Cursed Child is written, composed, performed and recorded by Grammy and Ivor Novello Award-winner Imogen Heap. It is presented as four contemporary musical suites, each showcasing one of the play’s theatrical acts. This unique new album format from Imogen Heap chronologically features the music heard in the stage production, further reworked to transport listeners on a sonic journey through the world of Harry Potter and the Cursed Child.
Unlike his Delmark sets, almost everything on this set (first issued in France on Black & Blue) is a cover (only the observant "Heap See" boasts original lyrics). Still, this album stands as the Chicago guitarist's most satisfying and consistent album, as he deals out gorgeous, shimmering versions of "Little by Little, " "Cold, Cold Feeling, " and "You Don't Know What Love Is" tailored to his soaring vocals and twisting guitar riffs (ominous minor keys often play a role in his rearrangements).