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The reign of Philippe IV the Fair of France, from the late thirteenth through the early fourteenth centuries, was marked by prosperity and a flourishing of the arts. During Philippe's reign, several important collections of music were copied, including the Montpellier Codex, the Chansonnier Cangé, and the Robertsbridge Codex, which remain the most significant sources of music of the era. The selections from those manuscripts recorded here are delightfully diverse: estampies – perky folk-like dances, polyphonic secular motets, and soulful Trouvère love songs. The music has a rough-hewn quality to it – it was written well before the conventions of western classical music had fallen into place, and it follows a logic that's foreign to modern sensibilities accustomed to music from the Renaissance to the Contemporary periods.

Comprenez enfin les rouages de l’économie et de la finance et leur impact concret sur notre quotidien et le destin du monde…

Ancien trader devenu vulgarisateur sur Youtube, l'auteur explique, par le biais d'infographies claires, les rouages de l'économie actuelle : ce qui se produit lorsqu'un emprunt est contracté, d'où vient l'argent que les banques prêtent, ce qu'est la dette, ce qu'est une obligation ou encore les raisons qui poussent les Etats à sauver les banques.

Edito est destinée à des adultes ou de grands adolescents qui souhaitent acquérir le niveau B2 du Cadre européen commun de référence (CECR) et voudraient se présenter au DELF B2. …

Marc-Antoine Charpentier is the only composer of the age of Louis XIV to have distinguished himself so remarkably in the genre of the ‘sacred history’: he wrote more than thirty such works, all composed after his residence in Italy.
Sébastien Daucé and the Ensemble Correspondances have carefully extracted from this outstanding corpus a number of gems that reflect both his experience in Rome (probably studying with Carissimi, the master of the oratorio) and the humanist concerns of an entire period.

Marc-Antoine Charpentier is the only composer of the age of Louis XIV to have distinguished himself so remarkably in the genre of the ‘sacred history’: he wrote more than thirty such works, all composed after his residence in Italy. Sébastien Daucé and the Ensemble Correspondances have carefully extracted from this outstanding corpus a number of gems that reflect both his experience in Rome (probably studying with Carissimi, the master of the oratorio) and the humanist concerns of an entire period. Like a miniature opera, each piece relates an exemplary destiny, including several strong-willed women (Judith, Cecilia, Mary Magdalene) and a deep friendship put to the test (Mors Saülis and Jonathæ).