Him: Tears On Tape

Ten previously unissued live recordings from 1970 recorded in Yugoslavia, Romania, and Poland.

The 1970s were lost years for Irma Thomas in some respects. She was wholly out of the commercial mainstream and, sometimes, without a recording contract. Nor had she yet carved out her well-deserved niche as a torchbearer of the New Orleans vocal soul tradition. Instead, she was only able to grab some recording time and record releases here and there, usually on small labels. While this 19-song CD, A Woman's Viewpoint: The Essential 1970s Recordings, is probably about as good a compilation as can be assembled from this period, there's no getting around the realization that this is far from her best work on record.

Just in time for the 80th anniversary of Eugen Cicero, IN+OUT Records raises a treasure from its archive and releases a concert gem, that was counted for lost. On October 5, 1992, the pioneer of crossover played along with Paul Kuhn, his big band fellow from Berlin, at the Bernhard Theatre located in the basement of the Zurich opera in front of around 300 people. This is also the first posthumous release of Paul Kuhn on IN+OUT Records, the label, which signed responsible for last 25 years of Kuhn’s creative work.

Here for the first time are the integral Sylvie Vartan RCA albums, from between 1962 and 1986, in Deluxe Vinyl Replica. You could find 41 CD with 716 tracks (including 171 Bonus Tracks & 32 unreleased tracks). Deluxe Vinyl Replicas by Culture Factory constitute high quality reissued compact-discs which reproduce all the components of the original LPs and are their exact replicas in compact-disc size (5.3 x 5.3 inches), with authentic single or gatefold cardboard jackets and paper sleeves. In addition to the above, each compact-disc Deluxe Vinyl Replica includes a black finish CD complete with the original label to give it the look and feel of the original record album.

Five CD box set containing a quintet of their albums housed together in an attractive slipcase: Chicago Transit Authority (1969), Chicago II (1970), Chicago V (1972), Chicago VI (1973) and Chicago VII (1974). While Chicago are oft remembered as a Pop/Rock hit making machine, their musical roots were Jazz-oriented and this quintet of albums features the band blending their commercial sensibilities with their excellent Jazz/Rock musicianship