Hot Spot (1990)

A return look and listen to this historical and breathtaking collaboration between two of the great figures of modern music should naturally be prefaced by a few key facts. Although this album presents itself as the soundtrack to the film The Hot Spot, like many such releases it bares little relation to the music that was actually used in the film — not that much of this music was actually used. All one really needs to know about the film itself, other than the fact that it was directed by Dennis Hopper, is that it is awful, even by bad film standards. That it was the impetus for this marvelous music to be made is something listeners should be thankful for, particularly fans of either Miles Davis or John Lee Hooker

In 1991 Steelheart released their self-titled debut, most notable for its octave-spanning vocals and a pair of hit power ballads:
"Never Let You Go," which reached number 14 on the Billboard singles chart; and "She's Gone," which fared well internationally.

Follow-up volumes appeared in 1993 and 1996, extending the time period to 1979 and with additional songs from the 1972-76 period, available on cassette or CD (ALL 25 volumes were issued in both formats). Each volume has twelve songs. Despite the greater capacity of compact discs, the running time of each of the volumes is no longer than the limit of vinyl records in the 1970s, from 38 to 45 minutes long.

Follow-up volumes appeared in 1993 and 1996, extending the time period to 1979 and with additional songs from the 1972-76 period, available on cassette or CD (ALL 25 volumes were issued in both formats). Each volume has twelve songs. Despite the greater capacity of compact discs, the running time of each of the volumes is no longer than the limit of vinyl records in the 1970s, from 38 to 45 minutes long.

Roxette - It Must Have Been Love
EAC+LOG+CUE | FLAC: 96 MB | Full Artwork | 5% Recovery Info
Label/Cat#: EMI # CDP 560-13 6380 2 | Country/Year: Germany 1990
Genre: Rock, Pop | Style: Pop Rock, Ballad

"It Must Have Been Love" is a song written by Per Gessle and performed by the Swedish pop duo Roxette. The ballad became the duo's third #1 hit in the United States, and is one of their best-selling releases, leading the single to be certified gold in a number of countries. The song was included on the soundtrack to the popular film Pretty Woman. In 2005, Per Gessle received an award from BMI after the song's four millionth radio play…

The act with the first arena-sized sound in the electronica movement, the Chemical Brothers united such varying influences as Public Enemy, Cabaret Voltaire, and My Bloody Valentine to create a dance-rock-rap fusion which rivaled the best old-school DJs on their own terms – keeping a crowd of people on the floor by working through any number of groove-oriented styles featuring unmissable samples, from familiar guitar riffs to vocal tags to various sound effects. And when the duo (Tom Rowlands and Ed Simons) decided to supplement their DJ careers by turning their bedrooms into recording studios, they pioneered a style of music (later termed big beat) remarkable for its lack of energy loss from the dancefloor to the radio. Chemical Brothers albums were less collections of songs and more hour-long journeys, chock-full of deep bomb-studded beats, percussive breakdowns, and effects borrowed from a host of sources. All in all, the duo proved one of the few exceptions to the rule that intelligent dance music could never be bombastic or truly satisfying to the seasoned rock fan; it's hardly surprising that they were one of the few dance acts to enjoy simultaneous success in the British/American mainstream and in critical quarters.

Collection includes: Red Hot Chili Peppers (1984); Freaky Styley (1985); The Uplift Mofo Party Plan (1987); Mother's Milk (1989); Blood Sugar Sex Magik (1991); One Hot Minute (1995); Californication (1999); By the Way (2002); Stadium Arcadium (2006).