Had

Possessing a tone as clear as a bell, perfect diction and phrasing, and no shortage of personality, Jo Stafford was one of the greatest and best- selling female singers of the pre-rock and roll era and beyond; whether it’s her early sides with the Tommy Dorsey Orchestra and The Pied Pipers or her classic solo recordings for the Capitol and Columbia labels with arranger/conductor husband Paul Weston, there is no mistaking the sound of that magnificent voice. Now, we at Real Gone Music have a very special treat for fans of this superb, yet to some degree overlooked, vocalist: a treasure trove of 24 radio performances taken from The Carnation Contented Hour, which Jo co- hosted on the Columbia Broadcasting System. These previously unreleased 1950-1951 recordings come to us from the Tony Martin estate courtesy of Michael Feinstein and with the blessing of Jo’s son Tim Weston, and are taken from original master tapes, not transcription discs; remastered by Mike Milchner at SonicVision, these are studio quality sessions and thus a major, major find in the Jo Stafford discography. It is such a treat to hear Jo interpret songs like “Dream a Little Dream of Me,” “Ain’t Misbehavin’” and “I’ve Got the World on a String” that became big hits for other artists.

The blues of Lurrie Bell comes from a turbulent place, but there's no denying the man can play. This album brings together tracks from three different sessions, the bulk being held in 1997. Supported by a spartan rhythm section, Bell sprays kamikaze guitar licks over a bevy of old standards like "Five Long Years," "Who Do You Love," "Mean Old Frisco," and "You're the One." The last four songs on the album are the real treat; cut in 1995 at the Mercurial Son sessions, this is just Lurrie and his electric guitar running through raw, soulful, and sometimes whacked-out versions of everything from "Rollin' and Tumblin'" to "If I Had a Hammer." If you've wondered what all the fuss is about, grab this CD and turn on to the blues world of Lurrie Bell.

Tom Petty & the Heartbreakers spent much of 1986 on the road as Bob Dylan's backing band. Dylan's presence proved to be a huge influence on the Heartbreakers, turning them away from the well-intentioned but slick pretensions of Southern Accents and toward a loose, charmingly ramshackle roots rock that harked back to their roots yet exhibited the professional eclecticism they developed during the mid-'80s…

Bill Bruford - If Summer Had Its Ghosts (1997) {Discipline Global Mobile DGM9705}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 271 Mb | MP3 @320 -> 117 Mb
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© 1997 Discipline Global Mobile / Bill Bruford | DGM970
Jazz / Fusion / Modern Creative / Post Bop / Drums

On If Summer Had Its Ghosts, a primarily acoustic trio recording, drummer Bill Bruford, bassist Eddie Gómez, and pianist/guitarist Ralph Towner create some lush, wondrous, spontaneous and melodic music. It has jazz roots, improvisational branches, and elfin extensions. There's no gimmickry or pretension, although Bruford does add some sampled colors, and Towner overdubs his instruments as well as throwing in a pinch of electronic keyboards. What you basically hear is Bruford's newest and freshest music, interpreted and extrapolated upon by three virtuosos in mellifluous interactive conversation. At their most swinging, as on the lively, four/four, tick-tock, light rimshot, mid-tempo swing of the title track, they are telepathic, with Towner effortlessly switching from acoustic 12-string to piano and Gómez laying down soulful, full, deep bass punctuations.

The name Chuck Cissel evokes a time of feel good, uplifting love vibes from a golden pre-electronic, pre-hip hop R&B era of soul music, so perfectly defined by the classic dance hit Cisselin Hot. A collaboration with Producer Skip Scarborough, at the peak of his song writing powers with Earth Wind & Fire. Chuck Cissel comes from Tulsa, Oklahoma then moved to New York to perform on Broadway. Among Chuck's recordings was his song Don't Tell Me You're Sorry, a favourite among UK soul fans which in its early form helped secure a recording contract with Arista Records for the two albums presented here.

A posthumous collection of all of the Wonder Stuff's singles from 1987 to 1993, plus a cover of Slade's "Coz I Love You" from a charity compilation, If the Beatles had Read Hunter…the Singles is both a fine starting point and, for most, all the Wonder Stuff they'll ever actually need. Albums one and three, 1988's The Eight-Legged Groove Machine and 1991's Never Loved Elvis, are solidly entertaining (in wildly differing styles) throughout, but the rest of the group's output was fairly inconsistent. However, in the classic Brit-pop tradition pretty much all of the band's very best material, from the Kinks-like, music hall-style tune "The Size of a Cow" to the manic buzz of "Give Give Give Me More More More," was released as singles. There are a couple of iffy inclusions, particularly the frankly terrible version of Tommy Roe's "Dizzy," recorded in collaboration with British comedian Vic Reeves, but overall, this is a solid, completely representative overview. Those whose curiosity is stoked would do well to buy The Eight-Legged Groove Machine next.

We Had To Let You Have It is the only recorded output from Britain's first all-black rock band Noir. A perfect blend of soul, R&B, rock, blues rock, with minor incursions into jazz…

Before T. Rex assaulted the world with their glam rock party in the early '70s, there was the folk duo Tyrannosaurus Rex. Although both bands were fronted by flamboyant singer/guitarist/songwriter Marc Bolan, the earlier outfit was the polar opposite of the style of music that would later become synonymous with Bolan. Tyrannosaurus Rex originally formed in September of 1967 as a duo after Bolan split from his previous band, John's Children. Joining Bolan in the band was percussionist/bongo player Steve Peregrin Took, a gentleman that Bolan named after a character in The Lord of the Rings novel series. Bolan was so infatuated with Rings that most of the subject matter in Tyrannosaurus Rex songs came directly from the books as well.