Half Upon a Time

Fats Waller - The 1935 Transcriptions (2001) {Naxos 8.120577}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 113 Mb | MP3 @320 -> 143 Mb
Full Artwork @ 300 dpi (jpg) -> 10 Mb | 5% repair rar
© 1935, 2001 Naxos Jazz Legends | 8.120577
Jazz / Early Jazz / Jive / Stride / Swing / Piano

One fine day, Fats Waller ambled into a New York studio and knocked out a stack of a dozen 16" transcription discs for Muzak-Associated Transcriptions. (Can you imagine anyone pulling that off so casually today in the span of a few hours?) The transcriptions are mostly medleys of many of Waller's tunes and cover versions that he was recording for Victor, interspersed with the fat man's inimitable comments and verbal mugging. While Rudy Powell turns up on clarinet on the first medley and on alto sax on the second, Waller goes it alone everywhere else, turning out seemingly perfect takes every time.

Kahimi Karie (カヒミ・カリィ) is an Japanese experimental pop musician. She made her debut in 1992 with the cheeky "Mike Alway's Diary" and when on to become a well known Shibuya-kei singer. During this time she was dating FLIPPERS GUITAR's Oyamada Keigo, and the two become the It couple of Shibuya. In the mid 1990s she released a string of successful EPs and singles produced by Oyamada (also making appearances in his work such as 69/96) and French musician Momus.

Once upon a time, Marillion was unmistakably a prog band. But by the dawn of the 21st century, it was becoming increasingly clearer that the group was shedding their early prog direction in favor of melodic pop (akin to Radiohead's more focused and mainstream moments, or even comparable to Coldplay, if Chris Martin and co. were a tad more askew). This is especially evidenced by the first half of their 2008 double album, Happiness Is the Road (issued as two separate releases, "Volume 1: Essence" and "Volume 2: The Hard Shoulder"). By this point, the group's devoted cult following awaits each release with baited breath, and both neither volume should disappoint their post-Fish era fans - especially on the simply soaring title track from Vol. 1…