Handel Messia

Innsbrucker Festwochenorchester - Georg Friedrich Händel: Il Messia (Florence Version, 1768) (2024) [Digital Download 24/96]

Innsbrucker Festwochenorchester, Alessandro de Marchi, Eleonora Bellocci, Margherita Maria Sala, Jeffrey Francis & Luigi De Donato - Georg Friedrich Händel: Il Messia (Florence Version, 1768) (2024)
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 76:44 minutes | 1,33 GB
Classical, Sacred, Oratorio | Label: CPO, Official Digital Download

This is regarded as the archetype of the oratorio par excellence, as its creator’s most famous work – the «Messiah» by George Frideric Handel. The «Messiah» owes its fame less to the (undeniably high) quality of the composition than to its particular history of reception. This history was enriched by a veritable treasure when the Handel House Foundation in Halle was able to acquire a previously unknown score of the Italian-language version, which was first performed in Florence in 1768 and was long thought to have been lost. At the Innsbruck Festival, the wonderful work «Il Messia» will be performed under the direction of Alessandro De Marchi and with an outstanding soloist cast.
Innsbrucker Festwochenorchester - Georg Friedrich Händel: Il Messia (Florence Version, 1768) (2024) [Digital Download 24/96]

Innsbrucker Festwochenorchester, Alessandro de Marchi, Eleonora Bellocci, Margherita Maria Sala, Jeffrey Francis & Luigi De Donato - Georg Friedrich Händel: Il Messia (Florence Version, 1768) (2024)
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 76:44 minutes | 1,33 GB
Classical, Sacred, Oratorio | Label: CPO, Official Digital Download

This is regarded as the archetype of the oratorio par excellence, as its creator’s most famous work – the «Messiah» by George Frideric Handel. The «Messiah» owes its fame less to the (undeniably high) quality of the composition than to its particular history of reception. This history was enriched by a veritable treasure when the Handel House Foundation in Halle was able to acquire a previously unknown score of the Italian-language version, which was first performed in Florence in 1768 and was long thought to have been lost. At the Innsbruck Festival, the wonderful work «Il Messia» will be performed under the direction of Alessandro De Marchi and with an outstanding soloist cast.
Innsbrucker Festwochenorchester - Georg Friedrich Händel: Il Messia (Florence Version, 1768) (2024)

Innsbrucker Festwochenorchester, Alessandro de Marchi, Eleonora Bellocci, Margherita Maria Sala, Jeffrey Francis & Luigi De Donato - Georg Friedrich Händel: Il Messia (Florence Version, 1768) (2024)
WEB FLAC (tracks) - 344 Mb | MP3 CBR 320 kbps - 179 Mb | Digital booklet | 01:16:44
Classical, Sacred, Oratorio | Label: CPO

This is regarded as the archetype of the oratorio par excellence, as its creator’s most famous work – the «Messiah» by George Frideric Handel. The «Messiah» owes its fame less to the (undeniably high) quality of the composition than to its particular history of reception. This history was enriched by a veritable treasure when the Handel House Foundation in Halle was able to acquire a previously unknown score of the Italian-language version, which was first performed in Florence in 1768 and was long thought to have been lost. At the Innsbruck Festival, the wonderful work «Il Messia» will be performed under the direction of Alessandro De Marchi and with an outstanding soloist cast.
Innsbrucker Festwochenorchester - Georg Friedrich Händel: Il Messia (Florence Version, 1768) (2024)

Innsbrucker Festwochenorchester, Alessandro de Marchi, Eleonora Bellocci, Margherita Maria Sala, Jeffrey Francis & Luigi De Donato - Georg Friedrich Händel: Il Messia (Florence Version, 1768) (2024)
WEB FLAC (tracks) - 344 Mb | MP3 CBR 320 kbps - 179 Mb | Digital booklet | 01:16:44
Classical, Sacred, Oratorio | Label: CPO

This is regarded as the archetype of the oratorio par excellence, as its creator’s most famous work – the «Messiah» by George Frideric Handel. The «Messiah» owes its fame less to the (undeniably high) quality of the composition than to its particular history of reception. This history was enriched by a veritable treasure when the Handel House Foundation in Halle was able to acquire a previously unknown score of the Italian-language version, which was first performed in Florence in 1768 and was long thought to have been lost. At the Innsbruck Festival, the wonderful work «Il Messia» will be performed under the direction of Alessandro De Marchi and with an outstanding soloist cast.

The Artistry of Emma Kirkby [4CDs] (2009)  Music

Posted by ArlegZ at Sept. 6, 2024
The Artistry of Emma Kirkby [4CDs] (2009)

The Artistry of Emma Kirkby [4CDs] (2009)
EAC | FLAC | Image (Cue & Log) ~ 1.25 Gb | Total time: 04:52:32 | Scans included
Classical | Label: BIS | # BISCD1734/35 | Recorded: 1999-2008

With her almost supernaturally clear and agile soprano, Emma Kirkby has enchanted audiences ever since she first appeared on the Early Music scene in the 1970s. And as the art of historically informed performance has become more and more widely appreciated, so has her style of singing, to the extent that she in 2007 was included in a listing of ‘the 20 greatest sopranos ever’ made by the BBC Music Magazine. Throughout her career, Emma Kirkby has made a large number of recordings of a wide range of music. Released on the occasion of her 60th birthday, the present collection celebrates her collaboration with BIS, which has resulted in ten discs to date.

Brian Asawa - The Complete RCA Recordings (2017)  Music

Posted by SERTiL at May 2, 2017
Brian Asawa - The Complete RCA Recordings (2017)

Brian Asawa - The Complete RCA Recordings
Classical, Vocal | MP3 CBR 320 kbps | 326:23 min | 755 MB
Label: RCA Red Seal | Tracks: 139 | Rls.date: 2017

The American Brian Asawa, who died tragically young in 2016, became one of the world’s foremost countertenors before he was 30, acclaimed for the exceptional size, richness, agility and beauty of his voice. In 1991 he was the first countertenor ever to win the Metropolitan Opera Auditions and soon he was singing with opera companies all over the world. He was also a gifted recitalist and made a notable series of recordings for RCA/BMG. All reissued here in a 5-CD set, they range from Elizabethan Lute Songs to a disc of songs by Ned Rorem and include excerpts from the complete recording of Handel’s opera Serse conducted by Nicholas McGegan, in which BBC Magazine singled out for praise Brian Asawa’s “luscious legato” in the role of Arsamene.