Hank Jones Satin Doll

Despite a frequent change of supporting players, pianist Hank Jones always produces rewarding sessions when he leads the Great Jazz Trio in a studio date. On the 1978 Great Jazz Trio Direct From L.A. disc made for the Japanese label East Wind, premier sidemen Ron Carter and Tony Williams are on hand. Right away Jones signals that he is in a playful mood, using Tchaikovsky's "Arabian Dance" (from The Nutcracker) to introduce and close a cooking rendition of "A Night in Tunisia." The treatment of "'Round About Midnight" is more straightforward, though Jones' style adds an elegant touch. His off-kilter introduction to the well-traveled "Satin Doll" keeps the song fresh. He transforms "My Funny Valentine" into a brisk loping waltz, with Carter and Williams providing imaginative support. If there's a bone to pick with this well-recorded CD, it is the miserly length of just 29 minutes.

The Count Basie Bunch - Too Marvelous for Words (1999) {Vanguard Records 79601-2 rec 1956-1958}
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© 1956-58, 1999 Vanguard Records | 79601-2
Jazz / Swing / Mainstream Jazz

Too Marvelous for Words compiles 12 highlights from John Hammond's late-'50s recordings of Count Basie and his band for Vanguard. Hammond didn't specifically record Basie, who only appears on four tracks on this compilation. Instead, he assembled various members of Basie's band, had them run through familiar items of their repertoire, adding a couple of stray songs and originals along the way. Since these recordings were made in the late '50s, when all of the members (apart from the odd newcomer, such as Kenny Burrell) were well established, these sessions aren't as revelatory as many of Hammond's blues and folk recordings, which had the wondrous element of discovery.

Collaboration is the third CD to be issued from a pair of 2002 sessions by the Great Jazz Trio, featuring Elvin Jones and Richard Davis with leader Hank Jones. The pianist previously worked alongside Davis on numerous sessions led by other musicians, including Elvin's Dear John C., though the Jones brothers worked together only sporadically during their long careers. Although eight of the songs appeared on Someday My Prince Will Come (issued by Eighty-Eights/Columbia) and the earlier 441 CD Autumn Leaves, these are valid alternate takes and not repeats or castoffs. Elvin Jones, who died in 2004 from heart problems, is still in top form on these sessions, especially on the thunderous opener, "Rhythm-a-Ning," though he focuses quite a bit on his underrated brushwork for the remainder of the disc…

Al Haig - Al Haig Today! (1965) {Mint Records Japan Mini LP XQAM-1635 rel 2014}
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© 1965, 2014 Del Moral Records / Mint Records Japan | XQAM-1635 | DSD remaster
Jazz / Bop / Jazz Piano Trio

This difficult to find recording is worth the search; it contains some of the finest recorded work of Al Haig's enigmatic career. Haig was an important figure in the early development of bebop piano and can be heard as a sideman on many seminal recordings from the 1940s, including Salt Peanuts and Hot House. His refined classical technique was relatively unique at the time, and he was admired as a superb accompanist. Between the mid-'50s and the early 1970s there is a curiously large gap in his recorded output evidently due to personal problems. In fact, Al Haig Today! appears to be his only release as a leader during the '60s.

Johnny Smith - The Complete Roost Johnny Smith Small Group Sessions (1952-64) {8CD Box Set Mosaic MD8-216 rel 2002}
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© 1952-64, 2002 Roost / Mosaic Records / EMI | MD8-216
Jazz / Cool / Guitar

Johnny Smith is an exquisite jazz guitarist known mostly to fellow musicians and serious jazz fans. This beautifully packaged and expertly annotated eight-CD limited-edition boxed set from Mosaic includes his complete small-group recordings for Roost, most of which have languished out of print for decades. Smith's unique voicings on his instrument set him apart from other players, yet he maintains a lush, crystal-clear tone no matter the tempo or setting.

Hank Jones is one of the most gifted jazz pianists of the second half of the 20th century, and this salute to Duke Ellington is only slightly blemished by the sometimes overbearing string arrangements by Masahiko Satoh. His trio, with bassist Eddie Gomez and drummer Jimmy Cobb, sticks to familiar selections from the vast Ellington songbook, with Jones occasionally switching to a Fender Rhodes electric piano or celeste. Happily the strings are omitted from cookers such as "C Jam Blues" and "Take the 'A' Train." Worth searching for.

George Barnes and Carl Kress often teamed up to play guitar duets from 1962-65, although they made relatively few recordings. "Guitars Anyone?" was their last meeting on record, and it finds the pair in high spirits on a dozen selections. The second part of this CD features Barnes' Second Quartet with Dick Hyman, Hank Jones, Milt Hinton, Jo Jones and others.

George Barnes and Carl Kress often teamed up to play guitar duets from 1962-65, although they made relatively few recordings. "Guitars Anyone?" was their last meeting on record, and it finds the pair in high spirits on a dozen selections. The second part of this CD features Barnes' Second Quartet with Dick Hyman, Hank Jones, Milt Hinton, Jo Jones and others.

George Barnes and Carl Kress often teamed up to play guitar duets from 1962-65, although they made relatively few recordings. "Guitars Anyone?" was their last meeting on record, and it finds the pair in high spirits on a dozen selections. The second part of this CD features Barnes' Second Quartet with Dick Hyman, Hank Jones, Milt Hinton, Jo Jones and others.