Hargrove

Conversations with Christian is an unusual release, as it features the veteran bassist playing duets with a number of good friends. The vocal meetings include Angélique Kidjo, Sting, and Dee Dee Bridgewater (the latter with a hilarious, funky cover of the Isley Brothers' signature song "It's Your Thing"). The pairings with musicians of McBride's generation (trumpeter Roy Hargrove, tenor saxophonist Ron Blake, and guitarist Russell Malone) all exceed expectations. There are several enjoyable duets with pianists, one featuring Latin jazz master Eddie Palmieri, a duo improvised tango by Chick Corea and the leader, plus an all too rare acoustic outing by the talented George Duke (who tears up the keyboard with his hard-charging "McDukey Blues".

Piano phenom Eldar Djangirov has most certainly heard it all before: his similarities to Art Tatum, Oscar Peterson, Bill Evans, his astounding speed, the way he's able to move his way through some of jazz's most intricate numbers, that he's played with some of the genre's biggest names, at some of the most important venues; that all of this has been accomplished before his 20th birthday. And the amazing thing about this is that all of these statements are completely true. Eldar is an exceptionally gifted pianist, regardless of age, very skilled at improvising upon a theme without completely obliterating it, alluding to it constantly while still adding his own distinct voice. All of this is portrayed very well on Eldar Live at the Blue Note…

Jowee Omicil is a jazz artist unlike any you've heard before. He brings a novel and distinctly Afro-Haitian perspective to his music. Omicil's melodic storytelling blends flavors from his Creole roots with gospel, soul, hip-hop and folk, not to mention nods to the masters - from Charlie Parker to Ornette Coleman. Let's BasH!, Omicil's fourth album, is both a cry of war and a declaration of love - but above all, it's a symbol of his mission to expand the popularity of jazz.

Andreas Varady's eponymous 2014 Verve debut artfully celebrates the Hungarian jazz guitarist's prodigious skill. A prodigy, Varady has been playing guitar since childhood. Only 17 at the time of this release, he has a fluid, technically proficient style that reveals a love of jazz tradition, both old and new. However, rather than simply delivering a collection of well-worn standards, a task Varady is clearly capable of, here he delves into a batch of modern pop hits and original songs in a contemporary jazz style. Executive produced by Varady's manager, the legendary Quincy Jones, along with David Paich and Jay Oliver, the album fits more into the instrumental smooth jazz vein of artists like George Benson and Lee Ritenour than it does the straight-ahead style of Wes Montgomery, although Varady dips his toe in that tradition here too.