Harmonic Awareness

If your fondness for big-band jazz includes searching for hidden treasures, here's a recently uncovered gem that should more than gladden your spirit: a concert recording from 1995 by Finland's superb UMO Jazz Orchestra featuring the renowned tenor saxophonist Michael Brecker who left us far too soon a dozen years later at age fifty-seven. The impeccably preserved performance at Helsinki's Royal Cotton Club finds Brecker in his customarily assertive mode, sprinting through ten engaging compositions that run the gamut from bop to ballads to funk.

Hitherto we have heard Rachel Podger only in early chamber works and as Andrew Manze's partner in Bach double concertos: here now, at last, is an opportunity to hear her on her own. And you couldn't be more on your own than in Bach's mercilessly revealing Solo Sonatas and Partitas, perhaps the ultimate test of technical mastery, expressiveness, structural phrasing and deep musical perception for a violinist. Playing a Baroque instrument, Podger challenges comparison with the much praised and individual reading by Monica Huggett: she has many of the same virtues – flawless intonation, warm tone, expressive nuances, clear understanding of the proper balance of internal strands – but her approach is sometimes markedly different.