Harmonica Blues Band

The addition of jazz pianist Skip Rose gave a new dimension to the ensemble sound, and provided a perfect foil to Charlie's own soloing – especially on the re-take of "Cristo Redentor," extended to 11 minutes, shifting to double-time in spots. Rose's instrumental, "A Nice Day for Something," is a welcome change of pace, and Musselwhite's "Blue Feeling Today" compares favorably to fine covers of Little Walter and Fenton Robinson tunes.

Hoodoo Man Blues is one of the truly classic blues albums of the 1960s, and one of the first to fully document, in the superior acoustics of a recording studio, the smoky ambience of a night at a West Side nightspot. Junior Wells just set up with his usual cohorts – guitarist Buddy Guy, bassist Jack Myers, and drummer Billy Warren – and proceeded to blow up a storm, bringing an immediacy to "Snatch It Back and Hold It," "You Don't Love Me, Baby," "Chitlins con Carne," and the rest of the tracks that is absolutely mesmerizing. Widely regarded as one of Wells' finest achievements, it also became Delmark's best-selling release of all time.

R.J. (Robert) Mischo began singing and playing harmonica in the Minneapolis area in the late '70s. He played with the blues heavyweights of that area and timeframe such as Muddy Waters sideman Mojo Buford, Percy Strother, and Milwaukee Slim. R.J. also fronted several of his own bands, including Blues Deluxe and R.J. & Kid Morgan Blues Band (which featured guitarist Teddy Morgan and singer Percy Strother). His 1992 album with that band, Ready to Go, won praises far and near and still has an unmatched magic about it. Mischo was nominated for several Minnesota Music Academy Awards while in Minneapolis, and in 1996, he won the award for Best Harmonica Player…

The Legendary Blues Band has been around, in one form or another since the early 1980's. Originally formed by former Muddy Waters sidemen, the group included Pinetop Perkins on piano and the great Jerry Portnoy on Harmonica. This later incarnation of the group now finds Madison Slim on harmonica as well as other Chicago Blues enthusiasts filling in.
Slim is a pretty fair singer and harmonica player, the guitarists; Billy Flynn and Willy Phillips do a nice job of playing good standard Chicago-style Blues. The other players do a nice job of laying a solid rhythmic base for the lead players.

All but one of these 19 tracks were recorded in December, 1964, as Paul Butterfield Blues Band's projected first LP; the results were scrapped and replaced by their official self-titled debut, cut a few months later. With both Michael Bloomfield and Elvin Bishop already in tow, these sessions rank among the earliest blues-rock ever laid down. Extremely similar in feel to the first album, it's perhaps a bit rawer in production and performance, but not appreciably worse or different than what ended up on the actual debut LP. Dedicated primarily to electric Chicago blues standards, Butterfield fans will find this well worth acquiring, as most of the selections were never officially recorded by the first lineup (although different renditions of five tracks showed up on the first album and the What's Shakin' compilation).

All but one of these 19 tracks were recorded in December, 1964, as Paul Butterfield Blues Band's projected first LP; the results were scrapped and replaced by their official self-titled debut, cut a few months later. With both Michael Bloomfield and Elvin Bishop already in tow, these sessions rank among the earliest blues-rock ever laid down. Extremely similar in feel to the first album, it's perhaps a bit rawer in production and performance, but not appreciably worse or different than what ended up on the actual debut LP. Dedicated primarily to electric Chicago blues standards, Butterfield fans will find this well worth acquiring, as most of the selections were never officially recorded by the first lineup (although different renditions of five tracks showed up on the first album and the What's Shakin' compilation).

From the beginning, the harmonica has been an integral part of blues music. The blues is a uniquely American art form that got its start from the collision of African and European cultures in the American South. And the harmonica has a natural genius for the blues, with its ease of producing the moaning, wailing sounds often associated with this style of music.