Harmony 21

Smokey Robinson wrote those words in 1971. They were written in admiration of - and out of respect for - his soon-to-be erstwhile colleagues the Miracles, whose elegant vocal backups had graced many of Robinson's compositions during the previous decade and a half. In these simple words - and whether or not he fully realised he was doing so at the time - Smokey was also paying tribute to an important, even indispensible, sub-genre of American black music, and to the multitude of other exceptional vocal outfits that have enhanced that sub-genre since the mid 60s. "

Learning the essentials of the industry standard 2D animation software Toon Boom Harmony

Smokey Robinson wrote those words in 1971. They were written in admiration of - and out of respect for - his soon-to-be erstwhile colleagues the Miracles, whose elegant vocal backups had graced many of Robinson's compositions during the previous decade and a half. In these simple words - and whether or not he fully realised he was doing so at the time - Smokey was also paying tribute to an important, even indispensible, sub-genre of American black music, and to the multitude of other exceptional vocal outfits that have enhanced that sub-genre since the mid 60s. "

2-In-1 Course: Learn Gospel Piano Harmony. Master Diminished Chord Moves & Tricks Plus Build Finger Strength & Speed

Master complex harmony: From extended chords to weird progressions… the spice that makes electronic music fascinating.

How to sing Soprano, Alto and Tenor parts the easy way

Master complex harmony: From extended chords to weird progressions… the spice that makes electronic music fascinating.

There is something inherently objectionable when a billionaire acquires an artistic masterpiece by say, Leonardo DaVinci or Claude Monet, only to sequester it from public view. You might feel the same about Julius Hemphill‘s recordings Dogon A.D. (1972) and ‘Coon Bid’ness (1975). Both five star recordings, now out of print, cost a small fortune to acquire. Years ago saxophonist Tim Berne, a disciple of Hemphill, endeavored to rescue the saxophonist’s Blue Boyé (1977) by rereleasing it in 1999 on Screwgun records. In that same spirit, this seven-CD boxset delivers seven-and-a-half hours of Hemphill’s music. The kicker is that it is all previously unheard and unreleased until now. The boxset is a labor of love from another Hemphill disciple and former band mate…

There is something inherently objectionable when a billionaire acquires an artistic masterpiece by say, Leonardo DaVinci or Claude Monet, only to sequester it from public view. You might feel the same about Julius Hemphill‘s recordings Dogon A.D. (1972) and ‘Coon Bid’ness (1975). Both five star recordings, now out of print, cost a small fortune to acquire. Years ago saxophonist Tim Berne, a disciple of Hemphill, endeavored to rescue the saxophonist’s Blue Boyé (1977) by rereleasing it in 1999 on Screwgun records. In that same spirit, this seven-CD boxset delivers seven-and-a-half hours of Hemphill’s music. The kicker is that it is all previously unheard and unreleased until now. The boxset is a labor of love from another Hemphill disciple and former band mate…