Hart, Jess

The third installment in the Classics chronological overview of recordings issued under the name of pianist Jess Stacy traces a time line from March 16, 1951, to March 3, 1956, with recordings made exclusively in Los Angeles, CA. It opens with eight titles recorded for Brunswick by Stacy, guitarist George Van Eps, bassist Morty Corb, and drummer Nick Fatool. This quartet's marvelous integrity is strongly in evidence on Rodgers & Hart's "You Took Advantage of Me" and endures throughout each of the ensemble members' subsequent collaborations. Tracks nine through 18 were recorded for Atlantic during April 1954 by two different nine-piece Benny Goodman reunion bands under the leadership of Jess Stacy…

No matter how you felt about the quality of The Greatest Showman as a film, there’s no denying that the soundtrack is incredible. Hugh Jackman, Zac Efron, Zendaya, Michelle Williams, Loren Allred (singing for Rebecca Ferguson) and Kaela Settle belted out the musical tunes of the circus-centric romance, but now the best-selling soundtrack is getting reimagined with some of the world’s top recording artists. The Greatest Showman Reimagined will take the hit songs from the Hollywood musical and give them covers from the likes of Kelly Clarkson, Pink, Panic! at the Disco, Sara Bareilles, Pentatonix and more.

Cinema 's latest art, in other words the seventh art. Six other arts include theater, painting, sculpture, music and dance. Among these are the only art cinema is not only to serve a six-art but also promoting them have been able to forgive. As well as the cinema industry, the technique is also employed in your text. In the collection you will be familiar with the cinema and science of cinema.

Lionel Hampton – The Legacy Of Bluebird (1937-1940) {1990 Bluebird Japan BVCJ-7025~27, 3CD Set}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 0.98 Gb | MP3 @320 -> 518 Mb
Full Artwork @ 600dpi (jpg) -> 147 Mb | 5% repair rar
© 1937-40, 1990 Bluebird / BMG Victor | BVCJ-7025~27
Jazz / Big Band / Vibraphone

Lionel Hampton was the first jazz vibraphonist and was one of the jazz giants beginning in the mid-'30s. He has achieved the difficult feat of being musically open-minded (even recording "Giant Steps") without changing his basic swing style. Hamp started out as a drummer, playing with the Chicago Defender Newsboys' Band as a youth. His original idol was Jimmy Bertrand, a '20s drummer who occasionally played xylophone. Hampton played on the West Coast with such groups as Curtis Mosby's Blue Blowers, Reb Spikes, and Paul Howard's Quality Serenaders (with whom he made his recording debut in 1929) before joining Les Hite's band, which for a period accompanied Louis Armstrong.