In four short years of existence, Green Lung have risen from the murk of the UK heavy underground to become a true cult band with a devoted following. Debut album Woodland Rites, released independently in early 2019, quickly garnered attention, resulting in a single being named ‘Track of the Week’ in the Guardian, plays on Daniel P. Carter’s Radio One Rock Show, a tour with fellow UK heavies Puppy and festival appearances across Europe.
This brought the band to the attention of the wider music industry, and after multiple offers from a variety of labels, the band decided to stay true to their roots and sign with the Finnish audio wizards at Svart Records, home to several of their doomy inspirations including Reverend Bizarre and Warning. Svart’s deluxe reissue of the album, and the preceding EP Free the Witch, sold out several pressings…
This 4 CD set brings together eight original albums from Ben Webster, on which he collaborates with a host of other Jazz Greats. Ideal as both a starting point for those new to Webster's work, and as a compilation more diverse in it's content than the more traditional anthology, this selection is certain to delight fans new and old of one of the greatest sax-players to have ever blown a note.
Greek progressive rock band Ciccada has released this, its third album, Harvest. The bands influences are very much the progressive rock acts of the 1970’s, including very classy bands such as Camel, Jethro Tull, Gryphon, Gentle Giant, Strawbs, Renaissance, Hatfield And The North, Curved Air and Spirogyra. These are lushly interwoven with traditional Greek folk music. The resulting sound is a quite pastoral other-worldliness, bathed in rock, jazz and folk colours.
The overall sound sees the band balancing acoustic instruments with electric ones, allowing the music a seeming simplicity whilst actually being somewhat more profound. At times there’s an almost childlike air on display, then something more jazzy but playful, then the kind of piquancy that a heartfelt folk song can produce. The vintage prog-rock and the folk in many ways makes this a nostalgic, wistful sounding album…
Live (1974). Though it seems odd that a live album could serve as a band's breakthrough release, Live shows the band clearly building upon the strengths of their previous studio albums while avoiding their excesses. Without a string section to back them up - or to smother them, depending on your thinking - the band draws more heavily on its rhythm section and on the tonal colorings of Wolstenholme's Mellotron, the latter most clearly on "The Great 1974 Mining Disaster." The rich harmonies, political content, and poignant twang of John Lees songs like "For No One" come across here with the same kind of ragged majesty as Neil Young's live work. And an epic-length "Medicine Man," unburdened of its heavy orchestral arrangement and beefed up with a newly emphasized guitar and drum parts, reveals the brawn lurking beneath the lassitude of the studio version…
THIRD EAR BAND was one of the earliest signings to EMI’s Progressive imprint, Harvest Records. The band was formed in 1968 around a nucleus of GLEN SWEENEY (percussion), PAUL MINNS (Oboe), RICHARD COFF (Violin, Viola) and MEL DAVIS (cello). Third Ear Band were unique in their exploration of exotic baroque music fused with experimental rock. Signing to Blackhill Enterprises in 1969, the quartet opened for many of the legendary Hyde Park free concerts by Pink Floyd, The Rolling Stones and Blind Faith. Their debut album, “Alchemy”, released in July 1969, was championed by legendary DJ John Peel and is regarded as one of the most striking and original works of the era with its unique gothic improvisational music.
A double CD set of all previously unreleased recordings from the BBC archives. Disc One features an In Concert programme recorded at the Golders Green Hippodrome in London on 19th June, 1974, including She Said, which was not broadcast at the time. The second CD comprises session recordings made for John Peel's and Bob Harris's Radio One programmes, two tracks recorded live for the Old Grey Whistle Test and four songs recorded in concert at the Liverpool Empire on 14th October, 1976.