Harvest (2024)

The pianist Andreas Eggertsberger, who studied in Austria and the USA with Karl Heinz Kämmerling and Oleg Maisenberg, among others, deals with the late works of three composers on his new album “Spätlese” (Late Harvest): Wolfgang Amadeus Mozart, Johannes Brahms and Frédéric Chopin. Whether a work is considered a late work has less to do with the composer’s age and more to do with where the breaking points and further developments are in a composer’s oeuvre. Some of the three selected masters were still young when they entered their late phase: Mozart was in his late twenties when he composed his Fantasia K. 475 and Sonata in C minor K. 457, Chopin was thirty-four when he composed his third and final Sonata in B minor, and Brahms was fifty-nine when he composed his Three Intermezzi Op. 117. Many a future is anticipated. Mozart, for example, builds a bridge to Beethoven with his Fantasy and Sonata in C minor. Chopin, on the other hand, takes a look at late Romanticism and beyond with his increasingly bold harmonies, and Brahms foreshadows musical developments that would only become influential in the 20th century.

Magenta Horizon is a fast-paced 2D action platformer with challenging spectacle fighter inspired combat. Playing as a Reaper of the twisted purgatorial afterlife, push your skills to the limit to destroy the hordes of demons and epic bosses to reach your destination.

"If you want just one recording of Ives' choral music, this is the one to have.

"If you want just one recording of Ives' choral music, this is the one to have.

Magenta Horizon is a fast-paced 2D action platformer with challenging spectacle fighter inspired combat. Playing as a Reaper of the twisted purgatorial afterlife, push your skills to the limit to destroy the hordes of demons and epic bosses to reach your destination.

In the early 1970s Barclay James Harvest pioneered the fusion of rock and classical music, touring with their own symphony orchestra. On the 23rd September 2023, a stunning and unique concert took place which saw the first performance by any incarnation of Barclay James Harvest with a symphony orchestra to take place in UK since 1973. Joining JLBJH for this memorable concert was The Slaithwaite Philharmonic Orchestra, arranged and conducted by Benjamin Ellin.

In the early 1970s Barclay James Harvest pioneered the fusion of rock and classical music, touring with their own symphony orchestra. On the 23rd September 2023, a stunning and unique concert took place which saw the first performance by any incarnation of Barclay James Harvest with a symphony orchestra to take place in UK since 1973. Joining JLBJH for this memorable concert was The Slaithwaite Philharmonic Orchestra, arranged and conducted by Benjamin Ellin.

Four CD set celebrating the finest musical sounds of progressive rock music of 1975. Five hours of music featuring tracks by Barclay James Harvest, Baker Gurvitz Army, Be Bop Deluxe, Camel, Caravan, Gentle Giant, Greenslade, Steve Hackett, Peter Hammill, Hatfield & The North, Hawkwind, Steve Hillage, Man, Manfred Mann's Earthband, Nektar, Pfm, Procol Harum, Nektar, Renaissance, Soft Machine, Van Der Graaf Generator, Yes and many more. Ring the Bells and Sing - Progressive Sounds of 1975 gathers together over five hours of music from 1975. Sometimes dismissed in later years by some critics as a year when rock music was failing to progress, this compilation reveals that 1975 was indeed a year where a great deal of excellent, diverse and creative music continued to be produced by artists for an audience for whom the album was the important format and the iconic television series The Old Grey Whistle Test was essential viewing.

As urban America of the nineteenth century grew and prospered, it became anxious to show itself civilized and "cultured" along the lines of established European culture. And so it was that the music of America's founders – the untutored but vigorous religious music of Colonial America, and the rugged, folk-derived spiritual song of the countryside – was more or less banished from polite society. The middle classes preferred (or were told to prefer) major-key hymns in "correct" four-part harmony. Funny stereopticon slides were published showing country yokels at an old-fashioned "singing school," presumably caterwauling some anthem by a disgraced eighteenth century like Billings or Read. Standard American music history texts, some even in use today, wrote off these repertoires, dismissing them in a few lines, or even ignoring them entirely.