Harvey Mason certainly has a lot of talented and famous friends, and, fortunately for jazz fans, he called on them when he was making this 2004 album.Mason is primarily known as a session player for smooth-jazz dates, but this set comprises hard-bop jams and low-key, post-bop explorations.He shuffles his guests around in different trio configurations, allowing each to take a turn in the spotlight.
A superbly arranged, produced, and mastered session from a wonderful vocalist. Wilson's singing, delivery, and tone are enticing and sensual throughout, even when the songs threaten to get overly sentimental or just sappy. Although the album was aimed at the adult contemporary audience, Wilson never coasted through any number, and this was about as polished and effective as this kind of session could get.
King’s College Choir are the most famous choir in the world. This 29-CD set of the complete Argo recordings celebrates David Willcocks’ tenure from 1957-1973 and includes some of the most beautiful choral music sung with the choir’s trademark richness and purity of sound. Six albums are released on CD for the first time – David Willcocks’ 1964 Festival of Lessons & Carols and Tye Masses and four albums from Boris Ord, Willcocks’ predecessor. Also includes works by Bach, Tallis, Haydn and others.
Sessions is Union Square Music’s 2CD urban and dance music range. Aimed at both the hardened dance music fan and the impulse purchaser, each Sessions title is packed full of hit singles, big club tracks and a choice selection of forgotten gems and underground classics picked out by our expert crate-digging compilers. Strong generic packaging including an outer slipcase, informative sleeve notes and a low price in the shops have made Sessions one of our most popular labels.
Some of jazz' finest musicians join guitarist Larry Carlton on Deep Into It, his second CD as a leader for the Warner Bros. Jazz label. Carlton wrote six new songs for this offering, and covers such songs as "Put It Where You Want It," written by Joe Sample, and the Stevie Winwood hit "Roll With It." Accompanying musicians are Chris Potter on saxophone and Billy Kilson on drums, both known primarily for their work with the Dave Holland Quintet; Harvey Mason, who holds down the rhythm logic on "I Still Believe"; and smooth jazz phenom Kirk Whalum, who turns in a great solo on the title track, on tenor saxophone. The two tenor saxophonists are highly capable in different approaches, and Carlton makes good use of both Potter and Whalum throughout the program. R&B hitmaker Shai lends his soulful vocals to "I Can't Tell You Why," and truly gives the Eagles' mega-hit a fresh interpretation with his one-of-a-kind artistry.
Phil Sheeran proclaims himself a "fingerstyle guitarist" in the liner notes to Orchid, and he gives those agile digits quite a workout even on the more low-key tunes which reflect his intention to create a mood recording. With Sheeran, there is always more than meets the eye - just as he eases our expectations into complacency with gentle declarations like "In My Heart" (on which he and flutist Brandon Fields tease each other back and forth over a swaying percussion groove), he heads for the tropics or does the B.B. King thing ("She Likes the Blues"), all to explosive effect. "Sacred Ground" combines the island panning of Andy Narell, the Native American bamboo flute musings of Richard Warner and Sheeran's own darker acoustic guitar tones - all over Harvey Mason's slick rhythmic pockets. Then "Jungle" finds Sheeran at a unique crossroads - his guitar is gentle but Eric Marienthal's alto fires up over a mix of live Mason and spunky hip-hop machinery.
A mega 100-track box of disco, R&B, and ‘80s pop, with some interesting picks by Eddie Murphy, Billy Ocean, and Raydio scattered alongside the usual disco comp contenders: Earth, Wind & Fire, the Jacksons, the Emotions, and KC & the Sunshine Band.