He Loves Me, He Loves Me Not.

Electronics-stripped reinterpretation of Björk's 2015 album, with new violin solos by Una Sveinbjarnardottir and strings recorded by a Viola Organista.

3CD set charting the UK's 1980s Garage Rock revival, otherwise known as Trash..All of the key players! Including Thee Milkshakes, The Sting-Rays, The Cannibals, The Prisoners, The Barracudas, The X-Men, The Tall Boys, The Jesus And Mary Chain, The Meteors, The X-Men, The Playn Jayn and many, many more..Sixty of the finest must-have scene hits, lesser known deep cuts and underexposed nuggets..Produced in association with The Sting-Rays' Alec Palao."I was there" sleevenotes from Mike Spenser, Lenny Helsing and Vic Templar..Remarkable 'comic book' design and packaging makes this a must-see, must-hear, must-have set!.Sometimes, a disparate crowd of random influences and a handful of scene-makers coalesce out of nothing, and before you know it a movement is happening.

The easy way to sell this, the last album of Nathan Bell, would be to get into the lurid details of the circumstances surrounding his ending – what he was doing out at the mailbox at that ungodly hour, with that particular combination of power tools and gardening implements. Not to mention the hot sauce. (We’ll leave the hot sauce to the National Inquirer.) Let’s just state the obvious, namely that it appears he did not take his own advice: “Keep your balance / When everything shifts.”

“A single flow’r he sent me, since we met. All tenderly his messenger he chose;
Deep-hearted, pure, with scented dew still wet—One perfect rose.” —Dorothy Parker