This is our all-time best seller. Selected ‘Jazz Album of the Week’ in the New York Times and on numerous ‘Best Recordings of the Year’ lists upon its original release, these live recordings from Carnegie Hall and Syracuse, New York, are now remastered and repackaged and include additional, previously unreleased Dolphy performances of Gunther Schuller’s Third Stream masterpiece Variants on a Theme by Monk. An incredible sampling of Dolphy’s artistry from ’62 to ’63, in action with his own quartet, in contemporary chamber music settings created for him by Schuller and in the heat of an all-star jam session on “Donna Lee”… Dolphy was never more brilliant.
New Jersey-born blues-rocker Walter Trout spent decades as an ace sideman, playing guitar behind the likes of John Lee Hooker, Big Mama Thornton, and Joe Tex. In 1981, he was also tapped to replace the late Bob Hite in Canned Heat, remaining with the venerable group through the middle of the decade. While filling in one night for an ailing John Mayall, Trout (also a Bluesbreaker for some five years) was spotted by a Danish concert promoter who agreed to finance a solo tour. Assembling his own backing band, in 1990 he released his debut LP, Life in the Jungle, trailed a year later by Prisoner of a Dream. Albums including 1992's Live (No More Fish Jokes), 1994's Tellin' Stories, and 1997's Positively Beale Street followed. Trout continued a steady release schedule, issuing Livin' Every Day in 1999, a live album the following year (recorded at the Tampa Bay Blues Fest), the 2001 studio album Go the Distance, 2003's Relentless -- which Trout and his band, the Radicals, recorded in front of a live audience -- and 2005's Deep Trout, a compilation of early and unreleased recordings. On the 2006 release Full Circle, Trout realized his dream of creating an album with some of his most admired musicians, including John Mayall, Coco Montoya, and Joe Bonamassa, among others.
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This marriage of four players with impressive pedigrees proved to be the success story of 1982 when Asia's debut lodged itself at the top of the U.S. album charts for two months…
"Alpha" is the second album by the "supergroup", and once again comprises entirely of shorter, more commercially orientated songs than those of the members' previous groups…
The all-girl trio Arabesque was created by two Frankfurt-based German producers at the height of the disco era in 1977. After one album and a few singles that had found surprising success in Japan, the producers changed the lineup, keeping Michaela Rose and replacing the two other girls with Jasmin Vetter and Sandra Lauer. Vetter, a former gymnast, also became the trio's choreographer and Lauer, soon to be billed simply as Sandra, assumed the position of a lead vocalist. The first single of the updated Arabesque, "Hello, Mr. Monkey" went to number one in Japan. The Far East remained the band's biggest market, with numerous albums and compilations released over the years. However, Arabesque's success in their homeland was very modest, with only one single, "Marigot Bay," entering the German charts at number eight in 1981. In 1984, they disbanded and Sandra embarked on a successful solo career with the songs written by her future husband Michael Cretu (of Enigma fame.) Jasmin Vetter and Michaela Rose formed a new duet, Rouge, but after a few obscure singles it ceased to exist.
What It's All About is swinging, building up solos to potentially ferocious levels and going for broke. That was always the philosophy that Roy Eldridge followed and, even though it was rather late in his career by the time he recorded this Pablo set, he was still pushing himself. His septet on the album is full of talented veterans including altoist Norris Turney, Budd Johnson on tenor, pianist Norman Simmons, and (on half of the set) vibraphonist Milt Jackson. The music (three Eldridge originals and two obscurities) features plenty of lengthy and spirited soloing.