If eclectic is your bag, then Heartbeat might be your thing. Like Hector Zazou, Ryuichi Sakamoto employs a realm of many styles on this upbeat collection. Songs performed in Japanese, Russian, French, and English (by friends Youssou N'Dour, David Sylvian, and Deee-Lite's DJ Towa Towa and Super DJ Dmitri) top an already brimming album that is everything its predecessor, Beauty, wasn't. Two completely different versions of the title track add arty spice. "Triste" is a wonderful, lazy-afternoon stroll in Paris jazz; "Lulu" follows suit. Is there no end to this Sakamoto's talent? He does jazz, rap, and chucks in a couple of solo piano pieces reminiscent of his soundtrack work. "Songlines" came about via his score for Pedro Almodovar's High Heels. "Boram Gal" and "High Tide" – with guests Youssou N'Dour and Arto Lindsay, respectively – are both delicate and swathed in summer. Ingrid Chavez adds poet's fire to frozen dust on "Returning to the Womb" and contributes eerie funk on "Cloud #9."
Anneli Dreckerґs ethereal voice first became known through the music of her band, Bel Canto, back in the late 80s. Only 17, Anneli left her Arctic hometown of Tromsш with band members Geir Jenssen (aka Biosphere) and Nils Johansen, for the pulsating indie scene in Bruxelles. Signed to the legendary Belgian label Crammed Discs, Bel Canto captured the zeitgeist of European electronic music. Their first two albums, "White Out Conditions" and "Birds Of Passage", were released internationally and won the Norwegian grammy award three times. With her characteristic singing style, often compared to other wonderful singers such as Lisa Gerrard and Liz Frasier, Anneli has collaborated with artists such as Hector Zazou, Jah Wobble, Gavin Friday, DJ Krush, Tim Simenon, Simon Raymonde of Cocteau Twins, Guy Sigsworth and Ketil Bjшrnstad.
Originally released on Medium Productions (Karn's joint venture with ex-Japan colleagues Steve Jansen and Richard Barbieri), this uniquely adventurous and evocative selection of tracks written and arranged between 1995 and 1999 was finally released in 2001. Each Eye A Path reveals Karn at his most intimate and unfettered, Steve Jansen (who mixed the album) adds some typically tasteful drum and percussion parts.
The second and best of this legendary band's two albums, comprised of the duo of Hector Zazou & Joseph Racaille + guests, who use keboards, clarinets, guitars, violin and much more. This record was utterly out of step with the prevailing trends in 1978, but in retropect, this turned out to be an early classic of 70's neo-classical progressive rock but in a completely different way than Art Zoyd/ Univers Zero. Where AZ/UZ used Bartok/Stravinsky, ZNR used Satie/Debussy as their classical role models. This made for a beautiful and quite distinctly French and 'odd' album.
After the success of the Yellow Cube and the Black Box, the 3rd box will once again travel the musical planet Nova in all directions and at all times since the 50s.