Heist 88

Mark Kermode continues his fresh and very personal look at the art of cinema by examining the techniques and conventions behind classic film genres, uncovering the ingredients that keep audiences coming back for more. This time it is the turn of the heist movie, with its unique combination of suspense and action. Whether it is the big bank job or netting a fortune in diamonds, why, asks Mark, do otherwise law-abiding audiences find themselves rooting for robbers and even killers? More than any other genre, the heist movie plays with our sympathies, encouraging us to identify with characters we would run a mile from in real life.

Art critic Alastair Sooke delves into the murky world of art theft. Despite the high stakes - and often daring - involved, many cases are shrouded in mystery and go unnoticed by the media. Around 47,000 works of art are reported missing each year, yet it is only the heists involving the world's most valuable paintings that hit the headlines. But high-profile or not - once gone, the works are rarely recovered. Alastair meets one of America’s most notorious art thieves, Myles Connor.

Breakfast at Tiffany's: Music from the Motion Picture is the soundtrack from the 1961 movie Breakfast at Tiffany's starring Audrey Hepburn. The tracks were re-arranged parts of the film music composed and conducted by Henry Mancini. At the 1962 Academy Awards, Mancini and lyricist Johnny Mercer won Oscars for Best Original Song for "Moon River", while Mancini picked up a second statue for Best Original Score. The album also stayed on Billboard's album charts for over ninety weeks.

Walter Braunfels’ music died twice: first, when the Nazis declared it “degenerate art”; and again when post-war Germany had little use for the various schools of tonal music. This was the period when arbiters of taste considered any form of romantic music – which meant practically the whole pre-war aesthetic – to be tainted.

Stereopathetic Soulmanure is the 1994 album by Beck Hansen, who is commonly known as Beck. This was the independent album he released after the major label album Mellow Gold, and is closer to the spirit that made people interested in him in the first place. Released by Flipside Records, there were two versions of the CD but this is the original version.

Breakfast at Tiffany's: Music from the Motion Picture is the soundtrack from the 1961 movie Breakfast at Tiffany's starring Audrey Hepburn. The tracks were re-arranged parts of the film music composed and conducted by Henry Mancini. At the 1962 Academy Awards, Mancini and lyricist Johnny Mercer won Oscars for Best Original Song for "Moon River", while Mancini picked up a second statue for Best Original Score. The album also stayed on Billboard's album charts for over ninety weeks.

Walter Braunfels’ music died twice: first, when the Nazis declared it “degenerate art”; and again when post-war Germany had little use for the various schools of tonal music. This was the period when arbiters of taste considered any form of romantic music – which meant practically the whole pre-war aesthetic – to be tainted.

Breakfast at Tiffany's: Music from the Motion Picture is the soundtrack from the 1961 movie Breakfast at Tiffany's starring Audrey Hepburn. The tracks were re-arranged parts of the film music composed and conducted by Henry Mancini. At the 1962 Academy Awards, Mancini and lyricist Johnny Mercer won Oscars for Best Original Song for "Moon River", while Mancini picked up a second statue for Best Original Score. The album also stayed on Billboard's album charts for over ninety weeks.

“For this period drama with a stylish contemporary twist, Jones has eschewed the period elegance that defined his superlative MY COUSIN RACHEL score and given HARLOTS its own superlative treatment through a very modern vibe with a lot of attitude that befits the independent and self-assured characters depicted in the show. The soundtrack mixes electronica and stoner rock genres, underpinning the story and reflecting the experiences and rebellious nature of the ladies; and it’s a deliciously faded jewel and a most welcome musical bedfellow.