Hell on High Seas

For nearly a hundred years, these steel, grey-skinned battlewagons have fought off everything from Al Qaeda to dive-bombing Kamikazes. Some returned from the hell of war to become major tourist attractions for new generations. Others continue to patrol the world's trouble-spots in America's latest war.

In Our Hands holds on to the band's trademark of keeping things fast, melodic, traditional but fresh, mixing powerful grooves and emotional melodies in 10 brand-new catchy and diversified songs that every Heavy Metal fan will enjoy. Blind Guardian's Hansi Kürsch guests on a track.

Pamela Thorby has been recording for Linn for most of the label’s existence, both as ensemble player and soloist. This time she joins Andrew Lawrence-King (except for a few unaccompanied pieces) in a varied program of music of the 16th and 17th centuries. In his notes, the harpist has an explanation for the disc title in the literary use of the garden as a place of earthly delights (Hieronymus Bosch’s allusion) where lovemaking is accompanied by recorders and plucked strings. His essay lucidly explains some of the terminology too often taken for granted in music of this period. Diego Ortiz, in Trattado de glosas of 1553, illustrated three ways of playing music on instruments; hence the program uses three of his examples at the beginning, middle, and end of this program.