Helsinki

This recording presents Kaija Saariaho’s works for choir, a cappella and with electronics, and displays her virtuosity in the treatment of texts, which she endows with the full range of verbal expression. At least one of these works is also a discographic premières.

Riemuitkaamme! is an imaginative and unconventional selection of choral music associated with Christmas as it is celebrated in Finland. Several of the pieces are by Finnish composers - Sibelius, Rautavaara and Madetoja, to name a few - while others have become part of the Christmas traditions of the country despite their international background. Among these Berlioz The Shepherds Farewell and Tchaikovskys Christ, when a Child are quite late additions compared to the medieval hymns Puernatusin Bethlehem, Ecce novum gaudium and Angelus emittitur. All three of these were included in the collection Piae cantiones from 1582, the oldest Finnish music publication. Here, they are performed in settings by various composers from different countries and eras forming a kind of soundtrack of Christmases past and present, distant and close. Contemporary music forms an important part of the activities of the Helsinki Chamber Choir and Nils Schweckendiek, and true to form, the team includes a world premiere recording in their celebrations: Aattoilta, by the Canadian-born composer Matthew Whittall.

Composed in 1982, Arvo Pärt’s Passio has retained its place as one of the foremost works of sacred music of the late 20th century. It has been called a minimalist masterpiece, and is a seminal work in the composer’s oeuvre – the culmination of his so-called tintinnabuli style, and the first in a line of large-scale choral works on religious themes. Passion settings have a long history, with polyphonic settings for choral performance beginning in the 15th century and continuing up until the high baroque and the monumental works by Johann Sebastian Bach.

The Helsinki Police Orchestra releases a wonderful Christmas album! The orchestra conducted by Sami Ruusuvuori with the brilliant soloists Helena Juntunen and Mika Pohjonen create a holiday atmosphere with their beautiful versions of both Finnish traditional Yuletide songs and internationally known pieces. The Helsinki Police Symphonic Band is a professional symphonic band comprising 43 musicians. The band has been performing for over 70 years. It represents the Finnish Police through music in different events nationally and internationally and is especially known for its versatility. In addition to wind compositions, the band’s repertoire includes folk music, jazz, rock, pop and children’s music.

When Jimi Tenor and UMO collaborate, usually something epic happens. Terra Exotica is a completely new work composed by Jimi Tenor, inspired by nearby forests and the seashore, Japanese film-era film music, and bands like Sun Ran and Salah Ragab. Terra Exotica is quite an exotic entity, which I have composed specifically for UMO Helsinki Jazz Orchestra. In addition to the influences brought by Sun Ran and Salah Ragab, the pieces also have a touch of blues and even swing. Our album comes out in the end of the year 2021, Jimi Tenor promises.

When Jimi Tenor and UMO collaborate, usually something epic happens. Terra Exotica is a completely new work composed by Jimi Tenor, inspired by nearby forests and the seashore, Japanese film-era film music, and bands like Sun Ran and Salah Ragab. Terra Exotica is quite an exotic entity, which I have composed specifically for UMO Helsinki Jazz Orchestra. In addition to the influences brought by Sun Ran and Salah Ragab, the pieces also have a touch of blues and even swing. Our album comes out in the end of the year 2021, Jimi Tenor promises.

The Helsinki Chamber Choir (Helsingin kamarikuoro) was founded in 1962 as the Finnish Radio Chamber Choir and assumed its current name in 2005. It is currently Finland’s only professional chamber choir. The choir’s Artistic Director from 2005–2007 was Kimmo Hakola. Since 2007 Nils Schweckendiek has been responsible for the group's artistic planning.

Composed in 1911, Bluebeard’s Castle is Béla Bartók’s only opera – a radical masterpiece which has secured a place alongside the other innovative music dramas of the same period, from Debussy’s Pelléas et Mélisande to Berg’s Wozzeck. Planning to write a one-act opera, Bartók settled on a libretto by Béla Balázs with the kind of surreal and/or macabre themes that would soon feature in his two ballets, The Wooden Prince and The Miraculous Mandarin.

Paavo Berglund (1929-2012) recorded the complete symphonies of his great compatriot Sibelius no fewer than three times. This set, central in every respect, was made in the 1980s with the Helsinki Philharmonic. Berglund, a former music director of the Helsinki Philharmonic, was renowned internationally as a master interpreter of Sibelius’s extraordinary music. In Gramophone’s words, he conducted it “with an unhurried, controlled inevitability that allows the music to unfold in its own time without any loss of tension or excitement”.