Henry Levin

This is the story of the shy Mongol boy Temujin who,during the 13th century, becomes the fearless Mongol leader Genghis Khan that unites all Mongol tribes and conquers India,China,Persia,Korea and parts of Rusia,Europe and Middle-East.

Rich socialite, Sandra Dee meets and marries photographer Bobby Darin and attempts to "train" him to be the perfect husband. Look for a very young Stephanie Powers as the devious friend.

Edward, Prince of Wales, son and heir to his father King Edward III of England, leads an English army to the French province of Aquitaine to protect the inhabitant from the ravages of the French. After defeating the French in battle, the defeated French plot to kill the prince. Failing in this, they kidnap his lady, the lovely Lady Joan Holland. Of course Prince Edward has to ride to the rescue, adopting numerous guises to save his paramour, which ultimately end in him leading his men into one final climactic battle against the French.

Prof. Lindenbrook leads his intrepid party on an expedition to the centre of the earth, via a volcano in Iceland, encountering all manner of prehistoric monsters and life-threatening hazards on the way.

Got problems? Need a shrink? Call an alcoholic reporter instead. Janet Ames is a war widow who deeply resents the five buddies of her husband, whom he died to save, although she only knows their names. She is approaching a cafй where the first of the five men, whose names are on a list in her hand, is employed. Her plan, whatever it was, becomes somewhat secondary when she is ran over by a truck and is taken to the hospital unconsciousness.

Belles on Their Toes recounts the story of the Gilbreth family after the death of efficiency expert Frank Gilbreth, husband of Dr. Lillian Gilbreth and father to twelve children…

Canadian director Allan King is one of cinema’s best-kept secrets. Over the course of fifty years, he shuttled between features and shorts, big-screen cinema and episodic television, comedy and drama, fiction and nonfiction. It was with his cinema-verite-style documentaries, though—his “actuality dramas,” as he called them—that King left his greatest mark on film history. These startlingly intimate studies of people whose lives are in flux—damaged children, warring spouses, the terminally ill— always done without narration or interviews, are riveting and at times emotionally overwhelming. Humane, cathartic, and important, Allan King’s spontaneous portraits of the everyday demand to be seen.