Her Albert

This Albert Roussel disc couples the Third Symphony with one of the composer's most popular pieces, the complete music for the one-act pantomime ballet Le Festin de l'araignée. This recording completes a cycle of three releases featuring the four symphonies and two ballets by the French composer, performed by the Orchestre de Paris and music director Christoph Eschenbach. This series has contributed to the rediscovery and recent revival of the great French composer's music.

Soft & romantic piano music, slight scents of jazz, beautiful songs and ballads - all these elements united in the lovely piano player from Atlanta, Georgia and her second album on Innovative Communication. She's all woman and her music expreses exactly that quality in songs that are catchy and full of lovely, evergreen melodies.

Pop/rock singer, songwriter, and guitarist Albert Hammond Jr. is the lead and rhythm guitarist and songwriting member of the GRAMMY® and BRIT Awards-winning band The Strokes. He has released 4 solo albums to date, most recently the acclaimed “Francis Trouble” in 2018 which spawned the radio single “Far Away Truths”. In the 4 years, since then, The Strokes released their US Top 10 charting GRAMMY® nominated rock record “The New Abnormal” and toured the world extensively. Albert also began the songwriting process for his 5th solo album “Melodies on Hiatus”, a 19-track album, crafted in a most experimental style.

orn in Lucerne in 1911, Albert Ferber studied with a pupil of Alfred Cortot and often played for Rachmaninov in Switzerland. International critics visiting the 1939 Lucerne Festival were impressed by an exceptional Swiss pianist who also showed in works of Schubert and Schumann some uncommon pianistic gifts. Such sympathy of idiom is readily apparent in Ferbers postwar Decca recordings, made in London. His pedigree in Schumann was unimpeachable: in 1951 he partnered Clara Schumanns pupil Adelina de Lara in a performance of Schumanns Andante and Variations, Op. 46 for two pianos at her Wigmore farewell recital.

On KASSANDRA, composer Anthony Brandt and librettist Neena Beber explore two leading issues of our times — climate change and sexual harassment. Based on the Greek myth of Apollo trying to seduce Trojan princess Cassandra, Brandt and Beber tell the tragic yet familiar story of Kassandra, a scientist whose forecasts of climate change are discredited as a result of rejecting sexual advances from a venture capitalist. In the ancient myth, Apollo places a curse on Cassandra: she will see the future but no one will believe her. In today’s world, scientists face a similar curse, their warnings of our warming planet too often ignored. Brandt and Beber’s chamber opera challenges us to heed Kassandra’s predictions.