Herbert

Karajan was a great Tchaikovsky conductor. Although he recorded the last three symphonies many times he did not turn to the first three until the end of the 1970s. There’s no doubt that the reason these early symphonies sound so fresh is because the Berlin orchestra was not over-familiar with them. The Tchaikovsky symphonies were recorded at the Philharmonie between October 1975 and February 1979 and are presented with their Slavonic March and the Capriccio Italien, both recorded in Jesus-Christus-Kirche in October 1966. The six symphonies span the whole of Tchaikovsky’s career as a composer, from 1866 until 1893, the year of his death.

Although his first four solo albums were commercial disappointments, 1984's 4630 Bochum turned Herbert Grönemeyer into the biggest musician in Germany. Featuring a blue-collar, stadium rock sound and highly literate lyrics – including double entendres, puns, and other creative word play – 4630 Bochum became the best-selling German album of all time, a record it held until Grönemeyer's Mensch beat it two decades later.

John Cage: Early Piano Music comes from Herbert Henck, an experienced hand with the work of Cage, having previously recorded Music for Piano, Music of Changes, and Sonatas and Interludes in addition to a mighty swath of first-tier twentieth-century literature for piano for various labels, most notably Wergo and ECM New Series. These are early works for standard, not prepared, piano, and some of these pieces will be as familiar to dyed-in-the-wool Cageans as "Happy Birthday." This puts the pressure on Henck to excel, and he does so spectacularly well here. The disc includes the two sets entitled Two Pieces for Piano, the piano version of The Seasons, Metamorphosis, In a Landscape, Ophelia, and the fragmentary Quest. The pieces date from 1935 to 1948, the same range covered by pianist Jeanne Kirstein in her pioneering 1967 survey of Cage's piano music for CBS Masterworks.

The Karajan Official Remastered Edition comprises 101 CDs across 13 box sets containing official remasterings of the finest recordings the Austrian conductor made for EMI between 1946 and 1984, and which are now a jewel of the Warner Classics catalogue.
For many, Herbert von Karajan (1908-1989) – hailed early in his career as ‘Das Wunder Karajan’ (The Karajan Miracle) and known in the early 1960s as ‘the music director of Europe’ – remains the ultimate embodiment of the maestro.