One might assume that bassist Christian McBride's CD Kind of Brown would be a tribute to Ray Brown. Au contraire – in fact, it would be appropriate for this recording to own up to the title Kind of Blue Note, because this music bears a strong resemblance to the late-'60s to mid-'70s recordings of the legendary Bobby Hutcherson-Harold Land quintet. That seminal post-bop ensemble defined the mid-period Blue Note label sound, and created resonant sonic signposts that remained unequaled, until now. A new discovery in vibraphonist Warren Wolf, Jr., teamed with veteran saxophonist Steve Wilson, the wonderful pianist Eric Reed, and drummer Carl Allen makes McBride's quintet dubbed Inside Straight into one of the more melodically tuneful and harmonically focused contemporary ensembles combining past tradition with a fresh new approach to this potent style of jazz.
Excellent 60 track music compilation. The music on it is a brilliant choice and not a usual 80s Compilation..
One might assume that bassist Christian McBride's KIND OF BROWN would be a tribute to Ray Brown. In fact, this music bears a strong resemblance to the late-'60s to mid-'70s Blue Note recordings of the legendary Bobby Hutcherson-Harold Land quintet. A new discovery in vibraphonist Warren Wolf, Jr., teamed with veteran saxophonist Steve Wilson, the wonderful pianist Eric Reed, and drummer Carl Allen makes McBride's quintet Inside Straight one of the more melodically tuneful and harmonically focused contemporary ensembles now playing. McBride is almost an equal in this company, putting aside his furious note playing for a more democratic role in an extraordinarily balanced small combo. The similarities to the Hutcherson-Land group are unmistakable, from the tick-tock rhythm and melodic line similar to Hutch and Herbie Hancock's classic composition "Blow Up" on "Brother Mister" to the steady swinger "Rainbow Wheel" and "Pursuit of Peace," with its probing basslines. The athletic and quirky "Stick and Move" is hard-charging bop at its best with Reed leading. McBride's role as a leader is more pronounced on "Theme for Kareem," an ultra-tight, very hip tune that has potential standard written all over it.