Herbie Hancock Trio Ron Carter Tony Williams

Herbie Hancock - The Complete Columbia Album Collection 1972-1988: Box Set 34CDs (2013)

Herbie Hancock - The Complete Columbia Album Collection 1972-1988: Box Set 34CDs (2013)
Jazz, Bebop, Jazz-Funk, Fusion, Jazz-Rock | MP3 CBR 320 kbps | 3,82 Gb
Label: Sony Legacy | Release Year: 2013

Gathered here for the first time are all of the recordings Herbie Hancock (b. 1940) made for Columbia Records U.S. and CBS/Sony Records Japan between 1972 and 1988–a stunningly creative, 17-year period, yielding 31 albums. Eight of the titles in this set have never been released outside of Japan. This collection of 34 newly-remastered CDs showcases Herbie's virtuosity in a dazzling display of musical styles. It is a testament to his fearlessness, innovation, and ever-evolving curiosity, as well as his significant commercial success–the platinum certifications of Head Hunters and Future Shock.
Anthony Williams - Life Time (Blue Note 84180 Mastered by Rudy Van Gelder) LP rip in 24 Bit/ 96 Khz + Redbook

Anthony Williams - Life Time
Blue Note 84180 Mastered by Rudy Van Gelder
Vinyl rip in 24-bit/96kHz | FLAC (Tracks) , artworks | Stereo | 709 + 181 Mo | 5% RAR Recovery | 1964
Styles: Jazz | RapidShare Download

Drummer Tony Williams' first recording as a leader (made when he was 18 and still billed as Anthony Williams) gave him an opportunity to utilize an advanced group of musicians: tenor saxophonist Sam Rivers, vibraphonist Bobby Hutcherson, pianist Herbie Hancock, and both Richard Davis and Gary Peacock on bass. Williams wrote all four of the pieces and has a different combination of players on each song. The freely improvised "Memory" features Hutcherson, Hancock, and Williams in some colorful and at times spacy interplay; "Barb's Song to the Wizard" is a Hancock-Ron Carter duet; "Tomorrow Afternoon" has Rivers, Peacock and Williams in a trio; and all of the musicians (except Hutcherson) are on the sidelong "2 Pieces of One." The unpredictable music holds one's interest; a very strong debut for the masterful drummer. Allmusic 4,5/5
Widely regarded as one of the most important and influential jazz drummers to come to prominence in the 1960s, Williams first gained fame in the band of trumpeter Miles Davis, and was a pioneer of jazz fusion.
Ron Carter / Herbie Hancock / Tony Williams - Third Plane (1978) {OJC}

Ron Carter / Herbie Hancock / Tony Williams - Third Plane (1978) {OJC}
EAC 0.95b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 218MB + 5% Recovery
MP3 CBR 320 Kbps | 101MB + 5% Recovery
Genre: Jazz, Post-Bop

The all-star rhythm section for the former Miles Davis Quintet is represented here in a trio format.These guys came to play,and they pull out all the 'stops' for this session.Herbie presents some original tunes,and a great intepretation of 'Stella by Starlight'.The soloing is over the top.These three always play well together,and it is a real treat to here them in a trio setting.
Herbie Hancock – Empyrean Isles (King Records, Japan) Vinyl rip in 24 Bit/96 Khz + CD-format

Herbie Hancock – Empyrean Isles (1964)
Vinyl rip in 24-bit/96kHz –> 16-bit/44kHz | FLAC (Tracks) , artworks | Stereo | 717 Mb, 196 Mb | 5% RAR Recovery
Jazz, Hard bop, Modal music| Filesonic + FilePost
Blue Note BST-84175 - King Records Japan (1977)

Empyrean Isles is the best of Hancock's Blue Note albums and an outstanding example of modal jazz. But beyond that, it's simply one of the finest pure jazz albums ever made, right up there with Kind of Blue and Love Supreme.
Miles Davis - Circle In The Round (1979) [2CD] {Columbia} [re-up]

Miles Davis - Circle In The Round (1979) [2CD] {Columbia}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 602 Mb | MP3 @320 -> 235 Mb
Full Artwork @ 300 dpi (jpg) -> 21 Mb | 5% repair rar
© 1991 Columbia / Legacy | C2K 46862
Jazz / Modal Music / Fusion / Trumpet

Although this two-disc set is a compilation – primarily consisting of extended outtakes – Circle in the Round features the true colors of jazz chameleon Miles Davis (trumpet) during a 15-year (1955-1970) span from eight different recording sessions. Whether it was serendipity or astute coordination that gathered these sides together, Davis enthusiasts will undoubtedly find plenty to enjoy from his prolific and seemingly perpetual metamorphosis.
Miles Davis - Seven Steps To Heaven (1963) {2006 DSD Japan Mini LP Edition, SICP 1209}

Miles Davis - Seven Steps To Heaven (1963) {2006 DSD Japan Mini LP Edition, SICP 1209}
EAC rip (secure mode) | FLAC+CUE+LOG -> 277 Mb| MP3 @320 -> 110 Mb | Artwork (web)
© 2006 Sony Music Japan / Columbia | SICP 1209
Jazz / Hard Bop / Trumpet


Miles Davis - Seven Steps To Heaven (1963) {2006 DSD Japan Mini LP Edition, SICP 1209}

SEVEN STEPS TO HEAVEN finds Miles Davis standing yet again on the fault line between stylistic epochs. In early 1963 pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb left to form their own trio, and Miles was forced to form a new band, which included Memphis tenor player George Coleman and bassist Ron Carter. When Miles next entered the studio in Hollywood, he added local drummer Frank Butler and British studio ace Victor Feldman, who ultimately decided not to go on the road with Davis.

Ron Carter Trio - Cocktails at the Cotton Club (2013)  Music

Posted by DjangoTiger at July 18, 2015
Ron Carter Trio - Cocktails at the Cotton Club (2013)

Ron Carter Trio - Cocktails at the Cotton Club (2013)
MP3 CBR 320 kbps | 7 Tracks | 57:07 | 131 MB
Genre: Jazz | Label: Pid / Somethin' Else

The epitome of class and elegance, though not stuffy, Ron Carter has been a world class bassist and cellist since the '60s. He's among the greatest accompanists of all time, but has also done many albums exhibiting his prodigious technique. He's a brilliant rhythmic and melodic player, who uses everything in the bass and cello arsenal; walking lines, thick, full, prominent notes and tones, drones and strumming effects, and melody snippets. His bowed solos are almost as impressive as those done with his fingers. Carter has been featured in clothing, instrument, and pipe advertisements; he's close to being the bass equivalent of a Duke Ellington in his mix of musical and extra-musical interests. Carter's nearly as accomplished in classical music as jazz, and has performed with symphony orchestras all over the world…

Tony Williams Trio - Young At Heart (1996) {Columbia}  Music

Posted by tiburon at Oct. 23, 2020
Tony Williams Trio - Young At Heart (1996) {Columbia}

Tony Williams Trio - Young At Heart (1996) {Columbia}
EAC 0.99pb5 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 200dpi | 330MB + 5% Recovery
MP3 CBR 320 Kbps | 161MB + 5% Recovery
Genre: Post-Bop, Fusion

This would be the drummer's last recording, cut six months before he died. It shows Williams in a more conciliatory mood, sublimating his huge chops and bombastic style for subtler shadings and support for pianist Mulgrew Miller and bassist Ira Coleman, while lessening none of his indefatigable swing. This was also the last band Williams toured with, indicating he was committed to and comfortable with the acoustic piano-bass-drums format. It's a setting he had never really fully exploited over his years of leadership, no doubt inspired by the Herbie Hancock-Ron Carter partnership within the Miles Davis quintet of the mid-'60s.

Sonny Rollins - ...In Japan (1973) {200x JVC}  Music

Posted by TestTickles at Dec. 23, 2018
Sonny Rollins - ...In Japan (1973) {200x JVC}

Sonny Rollins - …In Japan (1973) {200x JVC}
EAC Rip | FLAC with CUE and LOG | scans | 319 mb
MP3 CBR 320 kbps | RAR | 104 mb
Genre: jazz

Sonny Rollins In Japan is a 1973 live album by American jazz saxophonist Sonny Rollins. It is believed this pressing is from the early 2000's released by JVC.
Wynton Marsalis - Black Codes (From The Underground) (2023 Remaster) (1985/2023)

Wynton Marsalis - Black Codes (From The Underground) (2023 Remaster) (1985/2023)
WEB FLAC (tracks) - 281 MB | MP3 CBR 320 kbps - 117 MB
51:09 | Jazz, Post Bop, Contemporary Jazz, Modal | Label: Columbia

This is probably the best Wynton Marsalis recording from his Miles Davis period. With his brother Branford (who doubles here on tenor and soprano) often closely emulating Wayne Shorter and the rhythm section (pianist Kenny Kirkland, bassist Charnett Moffett, and drummer Jeff Watts) sounding a bit like the famous Herbie Hancock-Ron Carter-Tony Williams trio, Wynton is heard at the head of what was essentially an updated version of the mid- to late-'60s Miles Davis Quintet (despite Stanley Crouch's pronouncements in his typically absurd liner notes about Marsalis' individuality). The music is brilliantly played and displays what the "Young Lions" movement was really аbout: young musicians choosing to explore acoustic jazz and to extend the innovations of the pre-fusion modern mainstream style. Marsalis would develop his own sound a few years later, but even at age 23 he had few close competitors.