Here 2023

It's a Man's World (Deluxe Edition) [2023 Remaster] - Cher's timeless 1995 album, It's a Man's World, featured the singles "Walking In Memphis," "One By One," "Not Enough Love In the World," "The Sun Ain't Gonna Shine Anymore" and "Paradise Is Here". This deluxe contains the original 14-track UK album - newly remastered from the best available sources - plus a full disc of rare remixes, available together for the first time.

From the creator of the hit 2022 game Click Real Fast, comes the epic sequel that nobody has been waiting for!
Gather up to (and including) 100 friends, and prove that you can Click Here more than they can.
Click in the designated location to win… Click outside of the designated location to lose. Easy to learn, hard to master.

CHICAGO CHRISTMAS COMPLETE features all three of Chicago's classic Christmas albums - FROM WHAT’S IT GONNA BE, SANTA?, O CHRISTMAS THREE, and CHICAGO CHRISTMAS - in a 3CD set.

Chicago is lighting up the holidays with a new collection that combines all three of its beloved Christmas albums - What's It Gonna Be, Santa?, O Chritsmas Three, and Chicago Christmas - in a 3-disc set! A truly comprehensive collection from the legendary "rock band with horns"!

Franks Wild Years is the tenth studio album by Tom Waits, released 1987 on Island Records. Subtitled "Un Operachi Romantico in Two Acts", the album contains songs written by Waits and collaborators (mainly his wife, Kathleen Brennan) for a play of the same name. The shared title of the album and the play is an iteration of "Frank's Wild Years", a song from Waits' 1983 album Swordfishtrombones.

Chicago lights up the holidays with a new collection that combines songs from all three of its popular Christmas albums.

Tom Waits wrote a song called "Frank's Wild Years" for his 1983 Swordfishtrombones album, then used the title (minus its apostrophe) for a musical play he wrote with his wife, Kathleen Brennan, and toured with in 1986. The Franks Wild Years album, drawn from the show, is subtitled, "un operachi romantico in two acts," though the songs themselves do not carry the plot. Rather, this is just the third installment in Waits' eccentric series of Island Records albums in which he seems most inspired by German art song and carnival music, presenting songs in spare, stripped-down arrangements consisting of instruments like marimba, baritone horn, and pump organ and singing in a strained voice that has been artificially compressed and distorted. The songs themselves often are conventional romantic vignettes, or would be minus the oddities of instrumentation, arrangement, and performance.

Perhaps Tom Waits' most cohesive album, Bone Machine is a morbid, sinister nightmare, one that applied the quirks of his experimental '80s classics to stunningly evocative – and often harrowing – effect. In keeping with the title's grotesque image of the human body, Bone Machine is obsessed with decay and mortality, the ease with which earthly existence can be destroyed. The arrangements are accordingly stripped of all excess flesh; the very few, often non-traditional instruments float in distinct separation over the clanking junkyard percussion that dominates the record.