Hi Res Queen

“Queen Of A New Age” is a heartfelt compilation of fantasy music artists coming together to celebrate Enya’s forty-four years of magical music making. Each track offers a fresh take on her timeless songs, paying homage with respect and love.

Red Queen to Gryphon Three is only available coupled with the Raindance album on the same disc, but it has stood the test of time as an excellent progressive rock piece. The album centers around a game of chess, with each track around ten minutes in length. The symphonic structure of the movements intricately combine rich textured strings with medieval horns, reminiscent of 16th century England. The keyboards bridge together certain passages with just the right intensity so that they keep from modernizing the album's feel. While some progressive rock can seem over the top or contrived, Gryphon mixes subtlety with diversity to formulate beautiful streamlined music. The use of the bassoon and krumhorn gives this album depth and a profound musical element not found in other bands of the same nature. The tempos and accents express moods that are structured for each piece precisely, such as the brainstorming arrangements in "Opening Move" and the victorious finale heard throughout "Checkmate," the last song on the album. The absence of vocals lets the music carry extra weight, enhancing the vision of the chessboard in the mind's eye.

“Queen Of A New Age” is a heartfelt compilation of fantasy music artists coming together to celebrate Enya’s forty-four years of magical music making. Each track offers a fresh take on her timeless songs, paying homage with respect and love.

“Queen Of A New Age” is a heartfelt compilation of fantasy music artists coming together to celebrate Enya’s forty-four years of magical music making. Each track offers a fresh take on her timeless songs, paying homage with respect and love.

Red Queen to Gryphon Three is only available coupled with the Raindance album on the same disc, but it has stood the test of time as an excellent progressive rock piece. The album centers around a game of chess, with each track around ten minutes in length. The symphonic structure of the movements intricately combine rich textured strings with medieval horns, reminiscent of 16th century England. The keyboards bridge together certain passages with just the right intensity so that they keep from modernizing the album's feel. While some progressive rock can seem over the top or contrived, Gryphon mixes subtlety with diversity to formulate beautiful streamlined music. The use of the bassoon and krumhorn gives this album depth and a profound musical element not found in other bands of the same nature. The tempos and accents express moods that are structured for each piece precisely, such as the brainstorming arrangements in "Opening Move" and the victorious finale heard throughout "Checkmate," the last song on the album. The absence of vocals lets the music carry extra weight, enhancing the vision of the chessboard in the mind's eye.

Fresh off the heels of their acclaimed Spring 2024 release, Snake Oil King, Widespread Panic is thrilled to announce the vinyl release of their latest salute, Hailbound Queen, arriving on November 8, 2024. Hailbound Queen features fan favorites like "Trashy," a Bloodkin original, and "Halloween Face," alongside new standout tracks "King Baby," "Blue Carousel," and "Keep Me In Your Heart" by Warren Zevon. These new songs have happily made their way into Widespread Panic's live performances and fans' hearts. Grab a copy of Hailbound Queen on Pylon Orange vinyl at your local independent record store and stream it on your favorite platform.

Red Queen to Gryphon Three is only available coupled with the Raindance album on the same disc, but it has stood the test of time as an excellent progressive rock piece. The album centers around a game of chess, with each track around ten minutes in length. The symphonic structure of the movements intricately combine rich textured strings with medieval horns, reminiscent of 16th century England. The keyboards bridge together certain passages with just the right intensity so that they keep from modernizing the album's feel. While some progressive rock can seem over the top or contrived, Gryphon mixes subtlety with diversity to formulate beautiful streamlined music. The use of the bassoon and krumhorn gives this album depth and a profound musical element not found in other bands of the same nature. The tempos and accents express moods that are structured for each piece precisely, such as the brainstorming arrangements in "Opening Move" and the victorious finale heard throughout "Checkmate," the last song on the album. The absence of vocals lets the music carry extra weight, enhancing the vision of the chessboard in the mind's eye.

The Sex Pistols: The Original Recordings covers a historic period when the band were rarely out of the news or the charts. The collection soundtracks the period and features key singles `Anarchy In The UK', `God Save The Queen', `Pretty Vacant' and `Holidays In The Sun', essential tracks from Never Mind The Bollocks, further originals and covers from The Great Rock & Roll Swindle soundtrack album and some essential B- sides. Available on 2LP 180g black vinyl.

British punk began as a movement of self-proclaimed artists, thick with half-baked theories and aging hipsters trying to artificially stimulate a youth movement of their own. Hyperactive first-wavers Eater, however, offered a glimpse of what punk would soon become, the province of aggressive, inarticulate teenagers with a "loud-fast rules" philosophy that trumps any other consideration. The genuinely teenage Eater (ranging in age from 13 to 17) weren't interested in the Queen or White Riots; they wrote songs about daydreams, hot girls in math class, and bad-taste fantasies of prostitutes and necrophilia. All songs on their sole full-length release sound about the same, played with one stiff light-speed beat and a snotty vehemence to each track, adding up to a ridiculous classic. As fast and clumsy as the material is, there's an undeniable tunefulness at work, particularly in irresistible singalongs like "No Brains" and "Room for One," and the sprightly single "Lock It Up" even attempts some naïve vocal harmonies as they sneer at the upper classes.

British punk began as a movement of self-proclaimed artists, thick with half-baked theories and aging hipsters trying to artificially stimulate a youth movement of their own. Hyperactive first-wavers Eater, however, offered a glimpse of what punk would soon become, the province of aggressive, inarticulate teenagers with a "loud-fast rules" philosophy that trumps any other consideration. The genuinely teenage Eater (ranging in age from 13 to 17) weren't interested in the Queen or White Riots; they wrote songs about daydreams, hot girls in math class, and bad-taste fantasies of prostitutes and necrophilia. All songs on their sole full-length release sound about the same, played with one stiff light-speed beat and a snotty vehemence to each track, adding up to a ridiculous classic. As fast and clumsy as the material is, there's an undeniable tunefulness at work, particularly in irresistible singalongs like "No Brains" and "Room for One," and the sprightly single "Lock It Up" even attempts some naïve vocal harmonies as they sneer at the upper classes.